Showing posts with label Fuji. Show all posts
Showing posts with label Fuji. Show all posts

Wednesday, December 14, 2022

Best Friends + Field, Shamli District, Uttar Pradesh, India


I do miss these young girls and their friends, and have the highest respect for their courage in the midst of indifference and intolerance. Their village is the one in which I sleep during my stay in Uttar Pradesh, thanks to @chmunshadali and his beautiful family.

Their village is their world, and more exactly their home is their world. Unless they are attending school, they are almost always within the confines of their homes.

They’re fully aware of the hardships facing them and yet they persevere and endure through it all. In this classroom they could be themselves and act out their creative thoughts. It’s been an honor to be at their side all of these years.

9 Frames of a Boy, Lower Omo Valley, Ethiopia, 2010


So glad I took color positive film with me to Ethiopia back in 2010, and to have had the privilege of photographing the various tribes of the Lower Omo Valley. While the trip was a most difficult one, the images have brought me a sense of peace from the experience. My hope is to return one day and to do more than just visit, photograph and disappear. 

Monday, December 5, 2022

Young Girls, The Gambia, 2006

Pierre Verger’s portraits in this region were on my mind as we walked onto the beach of this fishing village. It was hard enough to walk into the crowd as the only non-African, but the crowd was more than friendly. After setting up the camera many were curious enough to allow their portraits. 

Tuesday, November 22, 2022

Widow + Mosque Courtyard, Delhi, India


Like many widows, she has been left to defend for herself and for her children. Instead of being looked after by her community, she belongs to the majority receiving nothing from the State and lacking a pension.

In many instances, life after the death of the husband is a life waiting for death itself. So many women are married when quite young to men much older than them. As a result, the death of their husbands leaves them as young women with children and without a security net. The stories are endless, the humiliation eternal.

Depending on position and caste, some of these women are forced to shave their heads, others refrain from wearing jewelry or from presenting their beauty to the world. They are to remain invisible for the rest of their lives, almost as a means to relieve Society from its conscience. With over 40,000,000 widows in existence, this leaves a void difficult to ignore.



Monday, November 21, 2022

Widow in Mosque Courtyard, Delhi, India, 2007



Like many widows, she has been left to defend for herself and for her children. Instead of being looked after by her community, she belongs to the majority receiving nothing from the State and lacking a pension. 

In many instances, life after the death of the husband is a life waiting for death itself. So many women are married when quite young to men much older than them. As a result, the death of their husbands leaves them as young women with children and without a security net. The stories are endless, the humiliation eternal.

Depending on position and caste, some of these women are forced to shave their heads, others refrain from wearing jewelry or from presenting their beauty to the world. They are to remain invisible for the rest of their lives, almost as a means to relieve Society from its conscience. With over 40,000,000 widows in existence, this leaves a void difficult to ignore. 

Wednesday, November 16, 2022

Helene + Sky, Outside of Los Angeles, California, 2016


My first sessions in Los Angeles were made easier by open minded individuals such as the creative Helene Tråsavik. We headed out of the city and to the other side of the mountains where the sun was best. It was cooler than usual that day and very windy. Nonetheless she was a professional in every sense of the word and did her best!

Friday, November 11, 2022

Young Student + Classroom, Uttar Pradesh, India, 2018


Each and every Muslim girl in these portraits lives in a world which works against them. Even before they’re born most families wish for boys. Even photographing them is a tribulation, as seen by the agitation on the men’s faces. I just wish it was different, and we are working with the local community in this effort. In 2023 we are looking forward to a collaboration with 10 madrasas to improve the educational system for girls, and to hopefully promote change from the inside.

Widow + Mosque, Old Delhi, India, 2006


Like many women in her widowed situation, she has been left to defend for herself and for her children. Instead of being looked after by her community, she belongs to the majority receiving nothing from the State and lacking a pension. 

In many instances, life after the death of the husband is a life waiting for death itself. So many women are married when quite young to men much older than them. As a result, the death of their husbands leaves them as young women with children and without a security net. The stories are endless, the humiliation eternal.

Depending on position and caste, some of these women are forced to shave their heads, others refrain from wearing jewelry or from presenting their beauty to the world. They are to remain invisible for the rest of their lives, almost as a means to relieve Society from its conscience. With over 40,000,000 widows in existence, this leaves a void difficult to ignore.

Wednesday, November 9, 2022

Cuban + Book in the Park, La Habana, Cuba



In between sessions we rarely do any work, other than organization.

This afternoon we happen to be sitting in a small park and notice the traffic walking by us. While speaking about some differences between us, the tripod is extended and the camera mounted.

We continue having a lively conversation and, in between making points, as a person now and then to pause for their portrait. Incredibly, almost all pause for a quick snapshot. The man above does so and makes a minute to tell us about himself.

He loves books and works in a book store. He is always reading and proof of such is in his hands. We make note of his name and address as he bids farewell to us. We finish our discussion and then walk to a restaurant for something to eat.

Having become familiar with formal portraits, this single image makes me wonder a bit about the past few years. It seems just as magical to make portraits in this way, a split second decision without much preparation and anticipation. 

Wednesday, November 2, 2022

Syrian Refugee, Bekaa Valley, Lebanon, 2010

Looking back over the past 20 years has made me even more grateful for choosing photography as a path in life. The camera has given me chances otherwise unavailable, such as meeting this Arab woman from Syria. Hers was my first camp, and she made it possible. These experiences have shaped my view of the world, and I’m thankful for that.


Young Banjara, Rajasthan, India, 2010


Another memory from over a dozen years ago... and proof!

This is her second portrait in as many years. The first time we met was during my first visit to India, during a special day arranged by Humana People to People India. On this day many activities were under way, including one contest between women walking very fast with containers balanced on their heads.

My first portrait of this young girl was made behind the main tent, with white fabric from the tent serving as the backdrop. This portrait was made the following year at her school, a basic open classroom on the roof of a building donated to the foundation. While she was absent when we first arrived, she showed up later because she heard that we were there to photograph her once again.

A previous entry described this incredible day; suffice it to put down at this moment that over ten dozen images were made of her, ranging from two clips in the hair to one clip to a roll or so without either clip.

The year following this portrait my documentation of her continued, this time in a village a bit distant from the school. By this time, she and her community had moved out of the town to a more remote location. The children had stopped attending the foundation's school and she was working as a house maid as well as tending to the family's livestock.

Two years after the portrait above our collaboration ended. Although we found her once again after asking around, by this time she had become so shy, so conscious of herself, that she refrained from even stepping out of the tent to exchange greetings. The younger girls were making fun of her, even teasing her about the attention she was receiving from this stranger.

So we of course respected her wishes and photographed the younger girls. One day they too will refrain from being photographed. Until that time however we will return.


Sunday, June 26, 2022

Claudia + Wind, La Habana, Cuba, 2016


Han pasado cuatro años desde mi último verano en Cuba y más desde este retrato de Claudia. Tenía diez años cuando conocí a su familia y ahora está en la universidad, haciendo su propio camino. Estoy orgulloso de sus logros hasta ahora y espero con ansias lo que hará en el futuro.

Wednesday, March 30, 2022

3 Children + 9 Frames, Dakar, Senegal, 2006


The contrasts in the streets of Dakar gave me pause. Without exception the children were sweet and curious. Since I am without children of my own, I imagined how my friends with children would feel seeing children with tattered clothes, facial scars and a layer of dirt/dust on their precious skin. To this day I wonder how these children fared in life, and hope that they survived their childhood. 

Monday, March 28, 2022

12 Frames + Rooftop, Turkey, 2013


How I miss my friends in Turkey, and their selflessness in allowing me to document their art! 

Here we are privileged to witness @cafemullerart on the rooftop of a university building, a spontaneous session with her and her friends!

Thursday, March 24, 2022

9 Frames + Students, Kisumu, Kenya, 2007


A dozen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely. 

Friday, December 24, 2021

Maasai + Boulders, Kenya, 2007, Limited Edition (50), 11x14 Silver Gelatin Print



This is a silver gelatin print of a young Maasai man made by me, the photographer, in my darkroom. It is printed on Ilford MGIVWT glossy fiber 11x14 paper, and toned in selenium for permanence. It is processed in a Zone VI washer to archival standards, and allowed to dry overnight on a screen. This young man and his friends agreed to be photographed in advance of that morning, and met us at the spot agreed upon earlier. They were so kind and generous with their time. They even held my hand as we crossed the street, and really made an impression on me. 

The camera/lens combination was a Hasselblad 501CM/180mm, and the frame was exposed onto Fuji's brilliant Neopan Acros 100 using natural light. This portrait is from a library of well over 300,000 negatives exposed over the last 24 years, from four continents and a dozen countries. Every person is spoken with prior to the portrait, and the process is explained fully. Most of my work is on film, and the countries are revisited year after year in order to continue the documentation of the same families, of the same communities. 

The purpose of selling these portraits on Etsy is to support the social work being accomplished through my photography. Presently we have six sewing centers in two states of India, serving both the Hindu and the Muslim communities. In these sewing centers, young women learn a trade while also making clothing for their families. The centers are located in the rural areas, where young women have only one option normally, marriage and a family. At this moment, due to COVID-19, the work is on hold. However, we plan to restart the centers in 2022 and the funds from the sale of these portraits will be applied to the work in India.

As a side note, my belief is that you will be very pleased with the print in person, as the tones of a silver gelatin print are difficult to represent through the screen. One may sense the surface of the print by looking at the gloss in certain areas of the print's surface. In the end, the print you will receive will be slightly different than the one represented on the screen, both in tone and in emotional impact... different in the best sense of the word. Every print is an original, and my hope is that it finds a good space in your home.

Each print will be signed and dated by me, the photographer, and numbered to a maximum of 50 prints (11x14) per negative.

Thursday, December 23, 2021

Yaniuska + Beach, Santa Maria Del Mar, La Habana, Cuba, 2015


Going back to 2015 with the creative Yaniuska at the beach, here is a darkroom print from this week. Behind the image is the dedication of this young girl and her family, ready to go at 5:30 in the morning without question. It’s such an honor to have these images, and the experiences are beyond priceless!

Sunday, December 19, 2021

Hands of Laborer, Countryside, Cuba, 2018


The printing of my time in the Cuban countryside continues this week, reliving the memories made with each image is a remarkable experience. Each represents a day in my life, and a lesson learned from the subjects. Ask about an image and a conversation begins... the gift of photography continues.

Wednesday, November 3, 2021

Young Student + Bench, Uttar Pradesh, India, 2019



Once again a young girl's portrait was made at one of the madrasas which we normally visit. This time of the year is our time to document a dozen or so schools in the district of Shamli, Uttar Pradesh. Imdadulla is the reason this work is possible and we hope soon that we can renew our efforts in the area.

This young girl and her friends walk to this madrasa from the adjacent village. The school is on its own, next to endless fields. This classroom is used during the rainy season, while classes are held outside during the dry season. 

At this point her studies are strictly religious, but the headmaster would like to include a full curriculum in the near future. This of course depends on finances and our ability to gather the support on behalf of her school. She and her friends inspire us to do more, and we hope that others will feel the same.Facebook










Monday, September 6, 2021

Claudia + EGOS, Halim Ina, Paseo de Prado, La Habana, Cuba


Even though the photography with Professor Gysleda and her students in the streets is mainly done with the digital camera, the Hasselblad is on a tripod and waiting for the right moment. On this day it was cloudy for most of the afternoon, even raining heavily. At the end of our walk we were on Paseo de Prado when the sun came up, and I set the Hasselblad down immediately. Everyone knew what that meant. We had enough time for maybe a few minutes of sun, so two of the models were photographed... including the wonderful Claudia. The two rolls exposed were enough to make that afternoon worth it film-wise!