Showing posts with label Black and White. Show all posts
Showing posts with label Black and White. Show all posts

Wednesday, November 16, 2022

Helene + Sky, Outside of Los Angeles, California, 2016


My first sessions in Los Angeles were made easier by open minded individuals such as the creative Helene Tråsavik. We headed out of the city and to the other side of the mountains where the sun was best. It was cooler than usual that day and very windy. Nonetheless she was a professional in every sense of the word and did her best!

Wednesday, November 2, 2022

Syrian Refugee, Bekaa Valley, Lebanon, 2010

Looking back over the past 20 years has made me even more grateful for choosing photography as a path in life. The camera has given me chances otherwise unavailable, such as meeting this Arab woman from Syria. Hers was my first camp, and she made it possible. These experiences have shaped my view of the world, and I’m thankful for that.


Wednesday, December 22, 2021

El Arte de Patricia, Yudel y Gysleda, Guanabacoa, Cuba, 2016


¡hermosos recuerdos del año 2016!

¡gracias a Patricia y a Yudel R. Contreras Garcia por su arte!

PS Negative exposed with a Hasselblad 503CW/180mm combination, the print toned in Selenium.

Wednesday, December 9, 2020

Young Students + Classroom, Uttar Pradesh, India, 2019


For my Muslim brothers and sisters, we are also looking to connect 12 mosques stateside with 12 madrasas in rural Uttar Pradesh. I have been working with this community for over 6 years now, and would love to foster this connection. The idea was presented to me by the headmasters of these schools. One can only imagine the difference we can make!

Tuesday, November 5, 2019

Granizado + Edificios, La Habana, Cuba, 2018


Mis amigos cubanos conocen el significado de esta imagen. Un verano en la isla no es un verano sin visitas diarias a este puesto y a otros en la ciudad. Hay algo especial en esas botellas, especialmente en esas tardes calientes y húmedas ... ¡y es por eso que todas están vacías!

My Cuban friends know the signifance of this image. A summer on the island is not a summer without daily visits to this stand, and others around the city. There is something special in those bottles, especially on those hot and humid afternoons... and that's why all of them are empty!

Anais + Campo, Outside of Havana, Cuba, 2018


¡Espero que el paso de dos años haga que el próximo verano en Cuba sea mucho más creativo! En esta serie condujimos al campo y buscamos lugares como este patio. Hablamos con la dueña de la casa y obtuvimos permiso para fotografiar.

Como todas nuestras sesiones, trabajamos solos. Anays puede ser creativa sin la necesidad de un productor, un director, un estilista o un maquillador. En su forma más simple, disfrutamos de la fotografía, utilizando solo luz natural y lugares encontradas.


En mi humilde opinión, lo que ella ha podido crear es verdaderamente atemporal, sin comparación.

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My hope is that the passing of two years will make next summer in Cuba that much more creative! In this series we drove out to the countryside and looked for places such as this patio. We spoke with the owner of the home and gained permission to photograph. 

Like all of our sessions, we work alone. Anays is able to be creative without the need for a producer, a director, a stylist or a make-up artist. In its simplest form we enjoy photography, using only natural light and found locations. 

In my humble opinion, what she has been able to create is truly timeless, without comparison. 

Tuesday, September 24, 2019

Hands + Vintage Dress, Cleveland Heights, Ohio, 2018


For me, photography is a way to honor and to remember those who have walked the same path with me. The time on that path together is irrelevant, it is the content which matters most.

Thus such an image is important to me. It reminds me of this person's time in my life, of the places we visited and of the conversation we had just before this frame was exposed. It was an exciting moment because she finally agreed to be photographed and made the time to present her hands beautifully.

Over the next few weeks my intent is to photograph more of the friends in my life, and especially their hands. All are welcome to take part, to contribute their stories!
 


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Note: Image made with a Hasselblad V system.

Tuesday, June 11, 2019

Cami + Abandoned Structure, El Mirage, California, 2017


Something was missing from my life this past year. Hopefully, after my work in India, Cami and I will reunite in Los Angeles for our third session! Over the past three years we made magical images on two occasions, thanks to her genuine spirit and creative mind. 

While she has helped create national and international works of art through musical videos, she is truly a humble person. She understands the lives of the people in my work from overseas and gives of herself to make the work that much more relevant.

Watching Cami move from one expression to another is like sitting down for a performance. There are times when it's necessary to remind myself that my job is to document the performance, while still enjoying it. To have been granted the opportunity is both an honor and a privilege; and my hope is that the images are a testament to her physical talents and spiritual kindness.


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Note: This image was made with a Hasselblad 555 ELD/100mm combination onto Ilford Delta 100 film.

Sunday, June 2, 2019

Anays Diz Pe + Transformación, La Habana, Cuba, 2018


Las imágenes de las últimas dos semanas de escaneos me han impresionado sinceramente, principalmente por la gente en esta fotografía. Me siento honrado de contar con esta colaboración y espero que las imágenes honren a mis amigos y familiares en Cuba.

Anays quería imitar a un niño para una sesión y organizamos una mañana durante mi última semana en la isla. Usamos este hermoso edificio, y ella se vistió como un niño. Su transformación fue increíble, aunque no pudo cubrir por completo su lado femenino más hermoso.

Es un honor para mí presentar un ejemplo de nuestra sesión y espero que esté contenta con el resultado.

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The images from this past two week's of scans have impressed me sincerely, mainly because of the people in this photography. I am honored to be trusted with this collaboration, and hope that the images honor my friends and family in Cuba.

Anays wanted to mimmick a boy for a session and we arranged a morning during my last week on the island. We used this beautiful building, and she dressed herself like a boy. Her transformation was incredible, even though she was unable to fully cover her most beautiful feminine side.

It is my honor to present an example from our session, and hope that she is content with the result.


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Note: This image was made with a Hasselblad 503 CW/100 mm lens combination.

Wednesday, November 21, 2018

From the Negative to the Print, The Darkroom, Thanksgiving Eve, 2018





This is what the print looks like as the first paper is being fixed in the darkroom. The frame was exposed in India, then brought back to the world as a silver print thousands of miles away... magical like her beauty! 

These were made in the moment with an iPhone, the first of which was the negative in my hand over one of the chemical baths. The second is of the negative being projected onto the paper in the easel, and the third of which is the final print in the fixer.

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Saturday, November 3, 2018

Young Girl + Wooden House, Rama, Nicaragua, 2017


My visit to Nicaragua came as my 50th year approached, the same age my father had when we left in the aftermath of the 1973 earthquake. The feeling of walking the same streets as my parents cannot be described. The embrace by the rural communities as we travelled took me by surprise and made me realize that I was home after so long. Such was this morning session on the outskirts of the port city of Rama. The people of this neighborhood embraced us immediately, such as this young woman. 

Their lives are extremely hard, as they endure an existence without running water, access to healthcare, proper electricity, sanitation... while living in homes with dirt floors and open windows. These were the people that I wanted to meet, these are the lives that I needed to document.

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Note: This frame was exposed with a Hasselblad 503 CW/100 mm combination onto Fuji Acros 100 film.

Saturday, October 20, 2018

The Magnificent Tamy, La Habana, Cuba, 2018


Four images are being shared because one would fail to represent her power in front of the lens. A few years ago I was honored with our first collaboration, and this past summer Tamy elevated that honor to a new level by graciously allowing me once again to document her incomparable spirit.

We photographed in the countryside for our first session, and decided to photograph in the city for our second. On both occasions of course she was ready in advance and needed nothing in order to be prepared. Her selection of clothing was perfect as well as her presentation.

On this morning we drove out to the Spanish Embassy to begin our work, and the security guard was more than impressed with the elegance of our subject. It was noticeable on his face as I thanked him for his permission to use the space. We exposed four rolls and then moved onto an apartment building perhaps three blocks away.

The columns, while more recent than the embassy, are just as majestic. It so happened that a young woman was washing the floor, and allowed us to photograph while she was working. It made for the most beautiful reflection, while at least two dozen onlookers enjoyed Tamy's performance in public.

At this time the sun was getting a bit warm, but Tamy allowed us to continue onward to the National Museum of Fine Art. She used the beautiful columns there once again, as well as the shadows in between. It was a proper ending to a most incredible session... and made my last week on the island a true blessing.
 
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Note: These images were made with a Fuji XT-2 with the 56 mm XF lens.

Wednesday, June 20, 2018

Nica + La Bicicleta, El Campo, Nicaragua, 2017


En esta mañana fuimos a buscar una comunidad y paramos para fotografiar esta finca. Hablamos con el propietario y él nos dio su permiso. Cuando estábamos preparando la cámara, este increíble hombre se detuvo para conversar con nosotros.

Tenía más de setenta años y aún tenía la energía de un hombre con la mitad de su edad. Todos los días iba en su bicicleta a la carretera principal en busca de comestibles, y todos los días estaba levantado antes del amanecer para trabajar en su finca.

Al principio era un poco tímido, pero luego, por supuesto, le pedí su retrato. Él estuvo de acuerdo con una sonrisa, y se quedó justo en el mismo lugar para esta imagen. El sol salió durante unos minutos y tuvimos la suerte de tener luz ideal. Cuando terminamos, nos invitó a su pueblo a fotografiar a otras familias, y aceptamos su invitación al día siguiente.

La gente de Nicaragua es amable y tiene la forma más bella de aceptar visitantes. Tengo muchas ganas de visitar su pueblo una vez más y de hacer verdaderos retratos de su comunidad.

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On this morning we went to look for a community, and had stopped to photograph this farm. We spoke with the owner and he gave us his permission. As we were setting up the camera this incredible man stopped to have a conversation with us.

He was well into his seventies yet had the energy of a man half his age. Every day he rode his bicycle to the main road for groceries, and every day he was up well before sunrise to work his farm.

I was a little shy at first, but then of course asked him for his portrait. He agreed with a smile, and stood right in the same spot for this image. The sun had come up for a few minutes and we were lucky enough to have ideal light. After we were finished he invited us to his village to photograph other families, and we accepted his invitation the very next day.

The people of Nicaragua are kind, and have the most beautiful way of accepting visitors. I look forward to visiting his village once again, and to truly making portraits of his community.



Note: This image was made with a Hasselblad 503 CW and a 100 mm C lens.




Saturday, June 16, 2018

Jasmine + El Mirage, Los Angeles, California, 2016


Two years ago my session with Jasmine occurred in the most spontaneous of ways. We had communicated through email earlier but had yet to set up a date to collaborate. Then the day before my drive from northern to Southern California we decided to meet at El Mirage the next afternoon.

We had never met before nor had we reviewed the outfits. The anticipation on my way down almost drove me crazy. When we met she was as sweet as in the messages, and was more than prepared for our session. The sun was just perfect but the wind had picked up a bit. Nonetheless Jasmine performed flawlessly for the lens and for each frame she gave it her all.

She embraced the wind and used it to her advantage. Her hair was just perfect and her movements in line with the wind. Even more amazing she withstood the dust that was in both of our faces. The images we made on that day will remain long after we are gone, and are a testament to her spirit on that beautiful afternoon.


Note: This image was made with a Hasselblad 555 ELD/180 mm combination.

Monday, June 11, 2018

Karla + Nanda, El Campo, La Habana, Cuba, 2017


Cuando alguien me pregunta: ¿por qué el trabajo en Cuba es diferente?

La respuesta es fácil para mí: es una colaboración igual entre fotógrafo y modelo. Los jóvenes modelos están completamente involucrados en las decisiones, desde la ubicación hasta la ropa y el tema. Por lo general preguntamos, ¿la playa o el campo o la ciudad? Algunas veces las modelos nos permiten elegir, algunas veces ellos deciden sobre la ubicación.

Si bien mi preferencia por la ropa es oscura y atemporal, para resaltar el modelo en lugar de la ropa, sus pensamientos son muy bienvenidos. Alejandra y Karla son maravillosas, mujeres jóvenes ... y es un placer fotografiarlas.

Esta mañana salimos al campo mucho antes de que saliera el sol. Salimos temprano para llegar a tiempo para el amanecer. En nuestro camino notamos que estaba nublado, pero continuó en nuestro camino. Decidimos que se realizarían fotografías, con o sin luz solar.

Tuvimos la suerte de tener sol temprano y nubes más tarde. Esto nos permitió fotografiar durante unas horas, en lugar de solo una hora. Esta casa fue encontrada mientras conducíamos, y el dueño fue increíble. Le encantó la idea e inmediatamente nos permitió usar la casa para nuestra sesión. Preguntamos si podíamos regresar y él también estuvo de acuerdo.

¡Espero ver a estas dos jóvenes en un mes y dirigirme a más zonas rurales, además de explorar la ciudad!

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When someone asks me: why is the work in Cuba different?

The answer is easy for me: it is an equal collaboration between photographer and model. The young models are completely involved in the decisions, from the location to the clothing to the theme. We usually ask, the beach or the countryside or the city? Sometimes the models allow us to choose, sometimes they decide about the location.

While dark and timeless are my preferences for clothing, in order to highlight the model rather than the clothing, their thoughts are most welcomed. Alejandra and Karla are both wonderful, young women... and a pleasure to photograph.

On this morning we drove out to the countryside well before the sun had risen. We left early in order to arrive on time for sunrise. On our way we noticed that it was cloudy, but continued on our way. We decided that photographs would be made, with or without sunshine.

We were fortunate to have sunshing early, and clouds later. This allowed us to photograph for a few hours, rather than just an hour. This house was found as we were driving back, and the owner was amazing. He loved the idea and immediately allowed us to use the house for our session. We asked if we could come back and he agreed as well.

I look forward to seeing both of these young women in a month, and to heading out to more of the countryside, as well as exploring the city!



Tuesday, June 5, 2018

Liliam + Corner, Guanabacoa, Cuba, 2017


Summer on the island is filled with familiar places, faces and memories. Such is this portrait of wonderful Liliam, one model from the school run by Gysleda Virginia De La Barca Vega. Every week we visit the school and every week we see something different.

That morning we headed out to Guanabacoa very early, along with Noel Castellano. Both of them woke up well before sunrise just to be ready for us, as we picked them up from their homes. Noel was kind enough to meet us on the street so that we could make it out on time.

The sun came up very strong this morning, without a hint of clouds. Thus we worked quickly before it was too much for the models. Liliam was quite brave and did her best regardless, as in this portrait. We tried to find some spaced which allowed for some shade, yet looked for the small spots of sunshine to illuminate her light eyes.

I look forward to this summer and hope that we can collaborate once again. In less than six weeks hopefully we will meet once again at the school, and see the new faces all over again!



Note: This image was made with a Sony RX100III mounted alongside a Hasselblad V system.

Saturday, June 2, 2018

Anays + A Night in Havana, Cuba, 2017


Here she is, a few minutes before she made our portrait as a team. We drove all over Havana looking for places to photograph, and Alejandrospotted this scene immediately. We turned around and found that it worked perfectly, so we unpacked and had a spontaneous session in the street with Anays.

The bulb was as strong as in any stage light, and happened to be on for that time only. A few minutes after we finished it turned off, and the security person guarding the parking lot closed his shop.

We had a great time and gained much inspiration from the experience. This year much more research will be done in looking for such spaces, and making use of them with such talent! 


Note: This image was made with a Sony RX100 III.

Friday, May 25, 2018

Mother + Daughter, Rama, Nicaragua, December of 2017


45 years after we lost our home to an earthquake I returned to my birthplace of Nicaragua. The experience of walking in the footsteps of my parents cannot be described fully, for my mind still needs to process the events of last December.

One thing is for sure, the people of Nicaragua treated me like a prince, like one of their own. Thanks to my cousins Victor and Carlos, it felt just like home. Their homes were my homes, their hospitality was as generous as any in my travels. Certainly this was a reflection of our culture, of their respect for my parents... but it was so much more, and I may begin to understand more so when we meet once again this December.

Then there were those we met on the road, such as this family on our way to the Caribbean coast of Nicaragua. We never did reach the coast, but this neighborhood of Rama was as perfect as we could have imagined. The people were so generous with their kindness, and allowed us to have a morning session which resulted in this portrait.

These beautiful people work hard day in and day out, and their lives are anything but easy. Their entire neighborhood was built on the outskirts of the town without planning nor distribution of basic services from the municipal government. Yet they endure and do their best for the sake of their children.

I look forward to returning in December and going deeper into my family's history, as well as the relationships formed during my first visit in over 4 decades.



Note: This image was made with a Hasselblad 503 CW/100 mm C lens combination.

Wednesday, May 23, 2018

Cami + Abandoned Structure, Near Los Angeles, California, 2017



This past year was a truly remarkable one thanks in part to this exquisite dancer, and her incredible heart. She responded to my casting call for dancers two years ago, and never let the communication go as we went back and forth. She was totally engaged in the concept, giving her 100% throughout the process.

Even before we met she shared the clothing options, all dark and timeless according to my preferences. This was our second session outside of Los Angeles, and was just as exciting as the first. The night before was a sleepless one for me.

Watching Cami move from one expression to another was like sitting down for a performance. There were times when it was necessary to remind myself that my job was to document the performance, while still enjoying it. To have been granted the opportunity was both an honor and a privilege; and my hope is that the images are a testament to her physical talents and spiritual kindness.

Note: This image was made with a Hasselblad 555 ELD/100mm combination onto Ilford Delta 100 film.

Thursday, May 17, 2018

Dancers + Friends, León, Nicaragua, December of 2017


In a very short time the dearest of friends were made in the city of my father's young adulthood. A simple visit to a ballet school in León resulted in us being embraced like family, in the most beautiful group of dancers most willing to create art.

Antonella and Jose two such beautiful people. Without reservation they offered themselves to the camera on several occasions, with the latter also coming along to help us with the younger dancers one afternoon. We had less than a week together yet were able to create memorable images nonetheless.

For some reason this past December the weather was different. Usually Nicaragua is sunny between December and February, However it was cloudy on so many afternoons, including the afternoon when we made this image. Luckily we had some stretches of sunshine, giving us such an exposure.

This year I will be prepared to honor the school, its students and certainly the professor as well. The trust has been placed in me, and in December the effort will be put forth to make the best images possible. 



Note: This image was made with a Hasselblad 503 CW/180 mm combination, scanned through the negative sleeve for a preview of the work!