During my quarantine in Rajasthan for the early part of 2020, the birds were my companions while walking in the fields. My host family welcomed me without question and gave me a room in which to stay for six weeks until my return home. So I would set up the camera on the tripod in the middle of the field and walk around and around. Once the moon was just right and birds started to fly, I would cross over to the center of the field to release the shutter. So this image has immense meaning for me, and I am thankful to have had such friends both on the ground and in the sky.
Sunday, January 8, 2023
Sunday, December 25, 2022
Sand Dunes + Grass, Imperial Sand Dunes, California, 2019
Really miss the sand dunes of California, and hope to return in 2023!
PS This negative was exposed in 2019 with a Hasselblad 501CM/100mm combination and printed in the darkroom to 11x14.
6 Girls + 9 Frames, Uttar Pradesh, India
I can’t imagine taking only monochrome film with me to India and am grateful to have taken the chance years ago… the colors of the shawls and faces in Uttar Pradesh!
Ballerina + Freeway Exit, Bauta, Cuba, 2015
I sincerely miss the days when we'd get in Alejandro's car and pick up the family well before sunrise, arriving at this spot a bit before sunrise. The dedication of the families impresses me to this day. Their admiration for the work and their affection for their children are something to behold truly. This young girl lives in a small town near the capital but is now attending the national school of ballet in the city. Even back then her talent was clearly visible.
Thursday, December 22, 2022
Zion National Park, Utah, 2016
It’s time to get back to the portraits, just had a lot of fun with the landscapes. While working my first corporate gig a few years ago, I had the opportunity to travel the States and bring my camera along. This landscape is from Zion National Park in magnificent Utah.
PS This negative was exposed in 2016 with a Hasselblad 501CM/100mm combination and printed in the darkroom to 11x14.
Thursday, December 8, 2022
Anais as a Boy, Centro Habana, Cuba 2018
Nothing like looking through a large loupe at my life's memories, including this special image of Anais during my last trip to the island. We have been collaborating since she was barely 8 years old back in 2008, when we met in front of her dance school. Now she wanted to make a series as a boy, and we borrowed some clothes from a dear friend for this occasion. This space was next to my apartment in Centro Habana. So we picked her up early in the morning and headed to this apartment building. She was just perfect, as always.
Monday, December 5, 2022
Silver Gelatin Print in the Darkroom, Imperial Sand Dunes, California, 2019
Note: this frame was made with a Hasselblad V System and a 100mm C lens.
Wednesday, November 30, 2022
Sand Dunes + Clouds, Imperial Sand Dunes, California, 2019
Monday, November 28, 2022
Audra + Brush, El Mirage Dry Lake Bed, California
In the darkroom with the negatives from California, and with this frame of Audra at El Mirage. One of my favorite people in one of my favorite places on earth, such is the truth.
PS This negative was exposed in 2019 with a Hasselblad 501CM/100mm combination onto Ilford Delta 100 film. It was printed in the darkroom to Ilford MGIVWTFB 11x14, toned in selenium for permanence.
Field of Trees, Joshua Tree National Park, California, 2019
In the darkroom again with the negatives from California, in a field of Joshua Trees. Walking around these icons is a sublime experience, with each having its own character.
PS This negative was exposed in 2019 with a Hasselblad 501CM/100mm combination onto Ilford Delta 100 film. It was printed in the darkroom onto Ilford's MGIVWTFB 11x14, toned in selenium for permanence.
Wednesday, November 23, 2022
Landscape with Cattle, Utah, 2016
In the darkroom again with the negatives from Utah, with the print sitting in the fixer. A herd of cows were grazing in the field just below this glorious mountain. I just had to stop… Utah is remarkable!
PS This negative was exposed in 2016 with a Hasselblad 501CM/180mm combination and printed in the darkroom to 11x14.
Tuesday, November 22, 2022
Monument Valley + Darkroom, Utah, 2016
In the darkroom with the negatives from Utah, with the print sitting in the fixer.
PS This negative was exposed in 2016 with a Hasselblad 501CM/100mm combination and printed in the darkroom to 11x14 just.
Monday, November 21, 2022
Day Laborers + Government Project, Virat Nagar, Rajasthan, India, 2020
I can’t imagine taking only monochrome film with me to India and am grateful to have taken the chance years ago and especially during last year’s quarantine in Rajasthan!
Thank you Nami Gujjar!
Wednesday, November 16, 2022
Helene + Sky, Outside of Los Angeles, California, 2016
My first sessions in Los Angeles were made easier by open minded individuals such as the creative Helene Tråsavik. We headed out of the city and to the other side of the mountains where the sun was best. It was cooler than usual that day and very windy. Nonetheless she was a professional in every sense of the word and did her best!
Wednesday, November 2, 2022
Syrian Refugee, Bekaa Valley, Lebanon, 2010
Looking back over the past 20 years has made me even more grateful for choosing photography as a path in life. The camera has given me chances otherwise unavailable, such as meeting this Arab woman from Syria. Hers was my first camp, and she made it possible. These experiences have shaped my view of the world, and I’m thankful for that.
Young Banjara, Rajasthan, India, 2010
Another memory from over a dozen years ago... and proof!
This is her second portrait in as many years. The first time we met was during my first visit to India, during a special day arranged by Humana People to People India. On this day many activities were under way, including one contest between women walking very fast with containers balanced on their heads.
My first portrait of this young girl was made behind the main tent, with white fabric from the tent serving as the backdrop. This portrait was made the following year at her school, a basic open classroom on the roof of a building donated to the foundation. While she was absent when we first arrived, she showed up later because she heard that we were there to photograph her once again.
A previous entry described this incredible day; suffice it to put down at this moment that over ten dozen images were made of her, ranging from two clips in the hair to one clip to a roll or so without either clip.
The year following this portrait my documentation of her continued, this time in a village a bit distant from the school. By this time, she and her community had moved out of the town to a more remote location. The children had stopped attending the foundation's school and she was working as a house maid as well as tending to the family's livestock.
Two years after the portrait above our collaboration ended. Although we found her once again after asking around, by this time she had become so shy, so conscious of herself, that she refrained from even stepping out of the tent to exchange greetings. The younger girls were making fun of her, even teasing her about the attention she was receiving from this stranger.
So we of course respected her wishes and photographed the younger girls. One day they too will refrain from being photographed. Until that time however we will return.
Sunday, July 17, 2022
Sand Dunes + Silver Gelatin Print, Imperial Sand Dunes, California, 2019
Although I love the portraits, it's time to take a short break and print the landscape images from California and Utah. While working my first corporate gig a few years ago, I had the opportunity to travel the States and bring my camera along. This landscape is from Imperial Sand Dunes in Southern California. A dream landscape over every dune!
PS This negative was exposed in 2019 with a Hasselblad 501CM/60mm combination and printed in the darkroom to 11x14 just yesterday.
Sunday, June 26, 2022
Young Girl + Flower, India, 2020, Limited Edition (50), 11x14 Handmade Silver Gelatin Print
This is a silver gelatin print of a young student made by me, the photographer, in my darkroom. It is printed on Ilford MGIVWT glossy fiber 11x14 paper, and toned in selenium for permanence. It is processed in a Zone VI washer to archival standards, and allowed to dry overnight on a screen. The camera/lens combination was a Hasselblad 501CM/100mm, and the frame was exposed onto Kodak's fabulous Tri-X film. This portrait is from a library of well over 300,000 negatives exposed over the last 24 years, from four continents and a dozen countries. Every person is spoken with prior to the portrait, and the process is explained fully. Most of my work is on film, and the countries are revisited year after year in order to continue the documentation of the same families, of the same communities.
This young girl attends a religious school six days a week, and endures a most conservative society day to day. We have worked with her school for the past eight years and hope to support her headmaster with his vision to bring a more rounded curriculum to his school. Their headmaster is a wonderful man and hopes to expand the curriculum past the existing one based on religion only. Her village is quite a ways from the main road, tiny and incredibly serene. This is the only world she knows.
The purpose of selling these portraits on Etsy is to support the social work being accomplished through my photography. Presently we have six sewing centers in two states of India, serving both the Hindu and the Muslim communities. In these sewing centers, young women learn a trade while also making clothing for their families. The centers are located in the rural areas, where young women have only one option normally, marriage and a family. At this moment, due to COVID-19, the work is on hold. However, we plan to restart the centers in 2022 and the funds from the sale of these portraits will be applied to the work in India.
As a side note, my belief is that you will be very pleased with the print in person, as the tones of a silver gelatin print are difficult to represent through the screen. One may sense the surface of the print by looking at the gloss in certain areas of the print's surface. In the end, the print you will receive will be slightly different than the one represented on the screen, both in tone and in emotional impact... different in the best sense of the word. Every print is an original, and my hope is that it finds a good space in your home.
Each print will be signed and dated by me, the photographer, and numbered to a maximum of 50 prints (11x14) per negative.
Leandro + Playa, Santa Maria Del Mar, Cuba, 2014
Back in 2014 Leandro Carrazana was a young dancer who was gracious enough to join us on the beach early one morning. It was a pleasure to witness his talents in this beautiful setting, and I’m so happy to have these images as a reminder of better times.
Sunday, June 5, 2022
Patricia + Campo, Guanabacoa, Cuba, 2016
Beautiful memory of a great morning in the countryside with Patricia, missing yet another summer in Cuba due to the pandemic. Hope all are healthy and safe on the island!
Thank you @modaegos and team!




















