Monday, January 9, 2023
Cuban in Front of His House, Manzanillo, Cuba, 2016
Sunday, December 25, 2022
Young Boy in School Uniform, Near Kisumu, Kenya, 2007
Fourteen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Wednesday, December 14, 2022
Best Friends + Field, Shamli District, Uttar Pradesh, India
I do miss these young girls and their friends, and have the highest respect for their courage in the midst of indifference and intolerance. Their village is the one in which I sleep during my stay in Uttar Pradesh, thanks to @chmunshadali and his beautiful family.
Their village is their world, and more exactly their home is their world. Unless they are attending school, they are almost always within the confines of their homes.
They’re fully aware of the hardships facing them and yet they persevere and endure through it all. In this classroom they could be themselves and act out their creative thoughts. It’s been an honor to be at their side all of these years.
9 Frames of a Boy, Lower Omo Valley, Ethiopia, 2010
So glad I took color positive film with me to Ethiopia back in 2010, and to have had the privilege of photographing the various tribes of the Lower Omo Valley. While the trip was a most difficult one, the images have brought me a sense of peace from the experience. My hope is to return one day and to do more than just visit, photograph and disappear.
Young Girl + Dress, Miramar, Nicaragua, 2019
My visit to Nicaragua came as my 50th year approached, the same age my father had when we left in the aftermath of the 1973 earthquake. The feeling of walking the same streets as my parents cannot be described. The embrace by the rural communities as we travelled took me by surprise and made me realize that I was home after so long.
Such was this morning session near Miramar. The people of this neighborhood embraced us immediately, such as this young and her family. Their lives are extremely hard, as they endure an existence without running water, access to healthcare, proper electricity, sanitation... while living in homes with dirt floors and open windows. These were the people that I wanted to meet, these are the lives that I needed to document.
Thursday, December 8, 2022
2 Girls +9 Frames, Uttar Pradesh, India, 2020
I can’t imagine taking only monochrome film with me to India and am grateful to have taken the chance years ago… the colors of the shawls and faces in Uttar Pradesh!
Monday, December 5, 2022
Young Girls, The Gambia, 2006
Pierre Verger’s portraits in this region were on my mind as we walked onto the beach of this fishing village. It was hard enough to walk into the crowd as the only non-African, but the crowd was more than friendly. After setting up the camera many were curious enough to allow their portraits.
Sunday, June 26, 2022
Best Friends + School, Kisumu, Kenya, 2007
Fourteen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Sunday, June 5, 2022
Best Friends, Uttar Pradesh, India, 2019
The color portraits by Steve McCurry inspired me to take color film with me to India. These young girls were photographed by me in 2013 when I visited a refugee community in their area. The families were displaced due to the riots of Muzaffarnagar that same year. Now the world is facing a refugee crisis on a massive scale, and a return to chaos for countless girls in Afghanistan. I can only hope otherwise.
Patricia + Campo, Guanabacoa, Cuba, 2016
Beautiful memory of a great morning in the countryside with Patricia, missing yet another summer in Cuba due to the pandemic. Hope all are healthy and safe on the island!
Thank you @modaegos and team!
Nica + Forest, Miramar, Nicaragua, 2019
My visit to Nicaragua came as my 50th year approached, the same age my father had when we left in the aftermath of the 1973 earthquake. The feeling of walking the same streets as my parents cannot be described. The embrace by the rural communities as we travelled took me by surprise and made me realize that I was home after so long.
Such was this morning session near Miramar. The people of this neighborhood embraced us immediately, such as this young and her family. Their lives are extremely hard, as they endure an existence without running water, access to healthcare, proper electricity, sanitation... while living in homes with dirt floors and open windows. These were the people that I wanted to meet, these are the lives that I needed to document.
Saturday, December 25, 2021
Best Friends + Syrians, Near Zahle, Lebanon, 2019
Normally boys create chaos due to my photography of the girls, but these boys were my allies in keeping the peace. Even though chaos ensued to some degree, I was proud of them!
Friday, December 24, 2021
Maasai + Boulders, Kenya, 2007, Limited Edition (50), 11x14 Silver Gelatin Print
This is a silver gelatin print of a young Maasai man made by me, the photographer, in my darkroom. It is printed on Ilford MGIVWT glossy fiber 11x14 paper, and toned in selenium for permanence. It is processed in a Zone VI washer to archival standards, and allowed to dry overnight on a screen. This young man and his friends agreed to be photographed in advance of that morning, and met us at the spot agreed upon earlier. They were so kind and generous with their time. They even held my hand as we crossed the street, and really made an impression on me.
The camera/lens combination was a Hasselblad 501CM/180mm, and the frame was exposed onto Fuji's brilliant Neopan Acros 100 using natural light. This portrait is from a library of well over 300,000 negatives exposed over the last 24 years, from four continents and a dozen countries. Every person is spoken with prior to the portrait, and the process is explained fully. Most of my work is on film, and the countries are revisited year after year in order to continue the documentation of the same families, of the same communities.
The purpose of selling these portraits on Etsy is to support the social work being accomplished through my photography. Presently we have six sewing centers in two states of India, serving both the Hindu and the Muslim communities. In these sewing centers, young women learn a trade while also making clothing for their families. The centers are located in the rural areas, where young women have only one option normally, marriage and a family. At this moment, due to COVID-19, the work is on hold. However, we plan to restart the centers in 2022 and the funds from the sale of these portraits will be applied to the work in India.
As a side note, my belief is that you will be very pleased with the print in person, as the tones of a silver gelatin print are difficult to represent through the screen. One may sense the surface of the print by looking at the gloss in certain areas of the print's surface. In the end, the print you will receive will be slightly different than the one represented on the screen, both in tone and in emotional impact... different in the best sense of the word. Every print is an original, and my hope is that it finds a good space in your home.
Each print will be signed and dated by me, the photographer, and numbered to a maximum of 50 prints (11x14) per negative.
Tuesday, December 21, 2021
9 Frames + 3 Girls, Uttar Pradesh, India, 2020
I can’t imagine taking only monochrome film with me to India and am grateful to have taken the chance years ago!
Thursday, March 4, 2021
Young Student + Madrasa, Uttar Pradesh, India, 2020
Earlier last year due to the pandemic, my return from India was delayed by 6 weeks. The entire time all 600 or so rolls of film were tucked away in the suitcase. My concern was that as the temperatures increased damage would be done to the film. I did the best that I could by keeping the door of the room closed during the day, and open at night. My host family allowed me to use the cooler as well.
All the while I had the digital images to review, including this portrait. This young girl and her sister have been photographed by me over the past five or so years. I would look through the files and just hope that the film equivalents were safe. Taking walks twice a day helped, and the birds on the wires kept me company.
Now I look back and have even more appreciation for my host family. All of the film was processed successfully and her portrait on film is just as exquisite.
Tuesday, December 29, 2020
Man + Horse, Countryside, Cuba, 2018
Monday, December 28, 2020
Young Girl + Camp, Syrian living in Lebanon, 2019
Last summer I sat with this girl for a session of photography. In her camp my photography was born 22 years ago, but it was the first time specifically in this spot. To be able to sit down with these girls is an honor beyond my ability to describe. The trust their parents have in me is immeasurable, for in the end I am a foreigner with a different faith. Yet we are a family unlike any other. My love and respect for them is like that for my very family. While we were talking the leader of this refugee camp pulled out a picture I made of him over 17 years ago, and smiled with pride.
El verano pasado me senté con esta niña para tomar una sesión de fotografía. En este campo nació mi fotografía hace 22 años, pero fue la primera vez en este lugar específicamente. Poder sentarme con estas niñas es un honor más allá de lo que puedo describir. La confianza que sus padres tienen en mí es inconmensurable, porque al final soy un extranjero con una fe diferente. Sin embargo, somos una familia como ninguna otra. Mi amor y respeto por ellos es así para mi propia familia. Mientras hablábamos, el líder de este campamento de refugiados sacó una foto que hice de él hace más de 17 años y sonrió con orgullo.
Thursday, December 24, 2020
Mursi Woman, Lower Omo Valley, Ethiopia, 2010
Saturday, December 12, 2020
Student + Doorway, Uttar Pradesh, India, 2020
Earlier this year due to the pandemic, my return from India was delayed by 6 weeks. The entire time all 600 or so rolls of film were tucked away in the suitcase. My concern was that as the temperatures increased damage would be done to the film. I did the best that I could by keeping the door of the room closed during the day, and open at night. My host family allowed me to use the cooler as well.
All the while I had the digital images to review, including this portrait. This young girl and her sister have been photographed by me over the past five or so years. I would look through the files and just hope that the film equivalents were safe. Taking walks twice a day helped, and the birds on the wires kept me company.
Now I look back and have even more appreciation for my host family. All of the film was processed successfully and her portrait on film is just as exquisite.
Wednesday, December 2, 2020
Cosset + Barrio, La Habana, Cuba, 2005
Justo este año nos reconectamos después de unos años de diferencia, y hablamos como si nuestra última reunión fuera ayer. Nos conocemos desde hace más de 15 años y en su barrio hay decenas de niños que hemos fotografiado. Los nombres son tan familiares como los de mi familia.
La primera vez que la conocimos fue cuando estábamos caminando por su calle, hacia la calle principal. Estaba de pie frente a su casa cuando la vimos. Ella sonrió y seguimos caminando, luego nos detuvimos y nos dimos la vuelta para hablar con su familia. Al principio, ella se negó a ser fotografiada, pero sentí que realmente quería hacerlo.
Yo y Billy dijimos gracias y seguimos caminando. Miré hacia atrás después de unos pasos y la vi hablando con un hombre al otro lado de la calle. Ese hombre amable y fuerte nos pidió que regresáramos, y Cosset nos dio permiso para fotografiarla a ella y a los niños de su barrio. Esta serie de fotografías fue de ese primer día, tal como nos conocimos.
¡El mes pasado me preguntó sobre mi próxima visita, y compartimos la esperanza de que sea pronto en el futuro!
















