Showing posts with label Manzanillo. Show all posts
Showing posts with label Manzanillo. Show all posts

Monday, January 9, 2023

Cuban in Front of His House, Manzanillo, Cuba, 2016


I do miss the days when we used to drive into the countryside. We’d never know who we were going to run into, and the sessions were both instant and spontaneous. For this man's portrait we drove deep into the countryside near Manzanillo and ran across a small group of houses. Both young and older people were sitting around chatting when we arrived. They greeted us warmly and we had a conversation about the area, about their neighborhood. Once it came time for the photography they agreed and we set up for their portraits. The contrast between light and shadow deep in the woods was fascinating, albeit a bit difficult to print in the darkroom. I am sincerely blessed to have been introduced to the world through photography and hope to return to this area later this year.

 

Thursday, December 29, 2022

Man + House, Campo, Cuba


I do miss the days when we used to drive into the countryside. We’d never know who we were going to run into, and the sessions were both instant and spontaneous. Great times with genuine people!

Friday, November 24, 2017

Farmer, Manzanillo, Cuba, 2016


His portrait comes to mind as my visit to Nicaragua nears. My hope is that rural Nicaragua is as welcoming as its counterpart in Cuba, and as beautiful. Thanks to my family in Nicaragua plans are being made to do just that, head to the countryside in search of those working with their hands.

This beautiful man's portrait was made as we drove to the eastern part of Cuba in search of a family. We found that family, and over the span of five days made portraits of its daughter, an inspiration well worth the 14 hour drive. In the mornings we photographed her, and in the afternoons we drove to the villages on the outskirts of the town and photographed the farmers in the villages.

Our connection in this village was a cousin to the family in the larger town, and one of her neighbors was this man. He was just returning to his home when we ran across each other. We talked for a few minutes and then he gave us permission to make his portrait. We had a mixture of sun and clouds on this day, yet the sun came through just for his portrait and that of his neighbor before heading back behind the clouds.

It was an honor to have produced his portrait, and I can only look forward to doing the same in Nicaragua in less than one week!


Website
Note: This image was made with a Hasselblad 555 ELD/100 mm combination.

Sunday, November 19, 2017

Charcoal Maker, Manzanillo, Cuba, 2016


His portrait comes to mind as my visit to Nicaragua nears. My hope is that rural Nicaragua is as welcoming as its counterpart in Cuba, and as beautiful. Thanks to my family in Nicaragua plans are being made to do just that, head to the countryside in search of those working with their hands. 

This beautiful man's portrait was made as we drove to the eastern part of Cuba in search of a family. We found that family, and over the span of five days made portraits of its daughter, an inspiration well worth the 14 hour drive. In the mornings we photographed her, and in the afternoons we drove to the villages on the outskirts of the town and photographed the farmers in the villages.

Our connection in this village was a cousin to the family in the larger town, and her husband was this man. The fire in the frame had lost its strength but was still strong enough to keep us at a distance. This incredible man however worked in the midst of it all, like it was nothing to him. He collected the precious bits of charcoal efficiently while we looked on and made his portrait.

It was an honor to have produced his portrait, and I can only look forward to doing the same in Nicaragua in less than two weeks!


Website
Note: This image was made with a Hasselblad 555 ELD/100 mm combination.

Tuesday, June 6, 2017

Puppy + Doorway, Manzanillo, Cuba, 2016


As we were waiting for the family to prepare their daughter for her portrait, this puppy slowly walked out of the room. He stood still for a minute or so, just long enough for me to expose two frames. Then he went back inside with the calmest of attitudes.

Website


Note: This image was made with a Hasselblad V System, onto Ilford Delta 100 film.

Monday, June 5, 2017

Campesino, Manzanillo, Cuba, 2016


Last year my brother Alejandro made it possible for us to visit the eastern end of the island, in search of one very specific child and open to all. The countryside is quite sublime, with every corner worth making a moment to explore. We were fortunate enough to know a few families, those willing to take us further into the countryside than ever before during our travels.

During our stay in Manzanillo, we photographed our families in the mornings and then drove out to a few remote neighborhoods to document another way of life. In these smaller villages many of the homes are generations old, and most of the community works with the land. We were welcomed with open arms thanks to our hosts, and were allowed to photograph as we wished as we walked through the villages.

This beautiful man was sitting with his neighbors chatting at the end of the day. We were driving by and decided to stop for a conversation. After a few minutes the topic of photography came up and I shared my albums with them. The families were kind enough to allow me to make their portraits. We did so within the shadows of the trees, with their houses in the background.


Website

Note: This image was made with a Sony RX100M3.

Wednesday, October 12, 2016

Carbonero, Village near Manzanillo, Cuba, 2016


In this image a man rakes a pile of burnt wood searching for pieces of charcoal, as this is his livelihood. He steps in the middle of incredible heat just to collect enough to support his family. In spite of his difficult life, he embraced our presence and smiled constantly during our visit.

We met him because he was a husband to our new connection in the village. When we drove 12 hours to Manzanillo to photograph a single girl, we never expected to have such access to rural Cuba. Our friends in the city told us about a few villages less than an hour away, and wanted to take us there. We of course accepted and headed to the unknown.

The villages were incredible, as we were made to feel like family. In the morning we photographed our young friend in the city, and for the afternoons we drove out to the villages. We arrived mid-afternoon and walked around making photographs in the fashion of street documentation. It was so liberating to be able to walk around with such freedom, and to make photographs just by speaking with people along the way.

All of the homes were so beautiful, and the families were almost as curious as we were. This reminded me of my first few years in Havana, when the curiosity was mutual. Now of course the capital has changed tremendously, and over the past few years I have been more and more drawn to the countryside.

Next summer we plan to spend at least half of our time in the countryside, both just around the capital and much further out. The anticipation is already palpable, and will certainly increase when the film from this past summer returns processed in a month or so.

Website

Note: This image was made with a Sony RX100M3.

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Carbonero, Pueblo cerca de Manzanillo, Cuba, 2016

En esta imagen, un hombre rastrilla una pila de madera quemada en busca de trozos de carbón, ya que este es su medio de vida. Da un paso en medio del calor increíble sólo para recoger lo suficiente para mantener a su familia. A pesar de su vida difícil, abrazó nuestra presencia y sonrió constantemente durante nuestra visita.

Nos encontramos con él porque era un marido de nuestra nueva conexión en el pueblo. Cuando conducimos 12 horas a Manzanillo para fotografiar una chica sola, nunca espera que tenga dicho acceso a la Cuba rural. Nuestros amigos en la ciudad nos hablaron de algunos pueblos de menos de una hora de distancia, y querían llevarnos allí. Nosotros, por supuesto, aceptamos y nos dirigimos a lo desconocido.

Los pueblos eran increíbles, ya que nos hicieron sentir como en familia. Por la mañana fotografiamos nuestra joven amiga en la ciudad, y por las tardes nos condujo a los pueblos. Llegamos a media tarde y caminamos en torno a hacer fotografías de la forma de la documentación de la calle. Fue tan liberador para poder caminar con tanta libertad, y para hacer fotografías con sólo hablar con la gente en el camino.

Todas las casas estaban tan hermosa, y las familias eran casi tan curiosos como nosotros. Esto me recordó mis primeros años en La Habana, cuando la curiosidad era mutuo. Ahora, por supuesto, la capital ha cambiado enormemente, y en los últimos años he estado cada vez más atraído por el campo.

El próximo verano tenemos la intención de pasar por lo menos la mitad de nuestro tiempo en el campo, tanto a la vuelta de la capital y mucho más lejos. La anticipación es ya palpable, y sin duda aumentará cuando la película de este verano se procesa en un mes más o menos.

Tuesday, May 31, 2016

Campesino + Perrito, Manzanillo, Grannma, Cuba, 2015



Last year we had the chance to travel to the other side of the island while, at the same time, taking one of our new families back home after their summer vacation. We stayed with the family for three days, photographed their children and then headed back through the countryside on our way home. The plan was to photograph in the mornings, continue onto another town to photograph in the afternoon.

This image was just one from our drive back, less than an hour away from the family. We had noticed an incredible set of homes, and stopped to speak with the families. The houses were constructed entirely from wood, in the most traditional style of the island. Alejandro decided to let me speak with the family on my own, and smiled as a young boy led me to the house.

The family was quite receptive and allowed me to begin photographing the houses. Their warm response gave me the confidence to ask for their portraits. They allowed me to photograph the young boy in various settings, and then the older man allowed me to photograph his hands holding a puppy. At first he resisted, thinking that perhaps his entire frame was going to be included. He was so sweet, but also a bit shy.

So I showed him the viewfinder, and stood in front of the lens so that he could see my hands and nothing else. He then allowed me to make this image, and held the puppy in the most gentle fashion while doing so. I was sincerely touched.


Note:This image was made with a Hasselblad 555 ELD/100 mm combination onto Kodak TMX film.