Etsy
Monday, December 26, 2022
Young Girl + House, Crimea, Cuba, 2015
Etsy
Young Boy + Rice Field, Manzanillo, Cuba, 2017
I remember this image like it was yesterday. We had driven out to the eastern part of the island and were concentrating on a family living in the city for the photography. We also were able to drive to the countryside and meet some wonderful people. This young boy actually lived in the city but liked to visit his grandparents in the countryside. Alejandro was able to pull up within 100 meters or so of the house, but was limited due to the muddy path.
So I decided to get out and walk the rest of the way to speak with the family. They were very kind and welcomed me onto their property. Their home was a traditional one, constructed of wood. Their grandson showed interest in the camera and so we decided to play around, as he grabbed this tool and headed into the rice field. It was a great experience and one for which I am forever grateful. This is what the island means to me, incredible people and honest interactions.
Sunday, December 25, 2022
Sand Dunes + Grass, Imperial Sand Dunes, California, 2019
Really miss the sand dunes of California, and hope to return in 2023!
PS This negative was exposed in 2019 with a Hasselblad 501CM/100mm combination and printed in the darkroom to 11x14.
Ballerina + Freeway Exit, Bauta, Cuba, 2015
I sincerely miss the days when we'd get in Alejandro's car and pick up the family well before sunrise, arriving at this spot a bit before sunrise. The dedication of the families impresses me to this day. Their admiration for the work and their affection for their children are something to behold truly. This young girl lives in a small town near the capital but is now attending the national school of ballet in the city. Even back then her talent was clearly visible.
Thursday, December 22, 2022
Zion National Park, Utah, 2016
It’s time to get back to the portraits, just had a lot of fun with the landscapes. While working my first corporate gig a few years ago, I had the opportunity to travel the States and bring my camera along. This landscape is from Zion National Park in magnificent Utah.
PS This negative was exposed in 2016 with a Hasselblad 501CM/100mm combination and printed in the darkroom to 11x14.
Thursday, December 8, 2022
2 Girls +9 Frames, Uttar Pradesh, India, 2020
I can’t imagine taking only monochrome film with me to India and am grateful to have taken the chance years ago… the colors of the shawls and faces in Uttar Pradesh!
Monday, December 5, 2022
Silver Gelatin Print in the Darkroom, Imperial Sand Dunes, California, 2019
Note: this frame was made with a Hasselblad V System and a 100mm C lens.
Wednesday, November 23, 2022
Proof of Friends, Uttar Pradesh, India, 2018
Landscape with Cattle, Utah, 2016
In the darkroom again with the negatives from Utah, with the print sitting in the fixer. A herd of cows were grazing in the field just below this glorious mountain. I just had to stop… Utah is remarkable!
PS This negative was exposed in 2016 with a Hasselblad 501CM/180mm combination and printed in the darkroom to 11x14.
Tuesday, November 22, 2022
Widow + Mosque Courtyard, Delhi, India
Like many widows, she has been left to defend for herself and for her children. Instead of being looked after by her community, she belongs to the majority receiving nothing from the State and lacking a pension.
In many instances, life after the death of the husband is a life waiting for death itself. So many women are married when quite young to men much older than them. As a result, the death of their husbands leaves them as young women with children and without a security net. The stories are endless, the humiliation eternal.
Depending on position and caste, some of these women are forced to shave their heads, others refrain from wearing jewelry or from presenting their beauty to the world. They are to remain invisible for the rest of their lives, almost as a means to relieve Society from its conscience. With over 40,000,000 widows in existence, this leaves a void difficult to ignore.
Monument Valley + Darkroom, Utah, 2016
In the darkroom with the negatives from Utah, with the print sitting in the fixer.
PS This negative was exposed in 2016 with a Hasselblad 501CM/100mm combination and printed in the darkroom to 11x14 just.
Monday, November 21, 2022
Day Laborers + Government Project, Virat Nagar, Rajasthan, India, 2020
I can’t imagine taking only monochrome film with me to India and am grateful to have taken the chance years ago and especially during last year’s quarantine in Rajasthan!
Thank you Nami Gujjar!
Wednesday, November 16, 2022
Helene + Sky, Outside of Los Angeles, California, 2016
My first sessions in Los Angeles were made easier by open minded individuals such as the creative Helene Tråsavik. We headed out of the city and to the other side of the mountains where the sun was best. It was cooler than usual that day and very windy. Nonetheless she was a professional in every sense of the word and did her best!
Wednesday, November 9, 2022
Cuban + Book in the Park, La Habana, Cuba
In between sessions we rarely do any work, other than organization.
This afternoon we happen to be sitting in a small park and notice the traffic walking by us. While speaking about some differences between us, the tripod is extended and the camera mounted.
We continue having a lively conversation and, in between making points, as a person now and then to pause for their portrait. Incredibly, almost all pause for a quick snapshot. The man above does so and makes a minute to tell us about himself.
He loves books and works in a book store. He is always reading and proof of such is in his hands. We make note of his name and address as he bids farewell to us. We finish our discussion and then walk to a restaurant for something to eat.
Having become familiar with formal portraits, this single image makes me wonder a bit about the past few years. It seems just as magical to make portraits in this way, a split second decision without much preparation and anticipation.
Sunday, July 17, 2022
Sand Dunes + Silver Gelatin Print, Imperial Sand Dunes, California, 2019
Although I love the portraits, it's time to take a short break and print the landscape images from California and Utah. While working my first corporate gig a few years ago, I had the opportunity to travel the States and bring my camera along. This landscape is from Imperial Sand Dunes in Southern California. A dream landscape over every dune!
PS This negative was exposed in 2019 with a Hasselblad 501CM/60mm combination and printed in the darkroom to 11x14 just yesterday.
Sunday, June 26, 2022
Young Girl + Flower, India, 2020, Limited Edition (50), 11x14 Handmade Silver Gelatin Print
This is a silver gelatin print of a young student made by me, the photographer, in my darkroom. It is printed on Ilford MGIVWT glossy fiber 11x14 paper, and toned in selenium for permanence. It is processed in a Zone VI washer to archival standards, and allowed to dry overnight on a screen. The camera/lens combination was a Hasselblad 501CM/100mm, and the frame was exposed onto Kodak's fabulous Tri-X film. This portrait is from a library of well over 300,000 negatives exposed over the last 24 years, from four continents and a dozen countries. Every person is spoken with prior to the portrait, and the process is explained fully. Most of my work is on film, and the countries are revisited year after year in order to continue the documentation of the same families, of the same communities.
This young girl attends a religious school six days a week, and endures a most conservative society day to day. We have worked with her school for the past eight years and hope to support her headmaster with his vision to bring a more rounded curriculum to his school. Their headmaster is a wonderful man and hopes to expand the curriculum past the existing one based on religion only. Her village is quite a ways from the main road, tiny and incredibly serene. This is the only world she knows.
The purpose of selling these portraits on Etsy is to support the social work being accomplished through my photography. Presently we have six sewing centers in two states of India, serving both the Hindu and the Muslim communities. In these sewing centers, young women learn a trade while also making clothing for their families. The centers are located in the rural areas, where young women have only one option normally, marriage and a family. At this moment, due to COVID-19, the work is on hold. However, we plan to restart the centers in 2022 and the funds from the sale of these portraits will be applied to the work in India.
As a side note, my belief is that you will be very pleased with the print in person, as the tones of a silver gelatin print are difficult to represent through the screen. One may sense the surface of the print by looking at the gloss in certain areas of the print's surface. In the end, the print you will receive will be slightly different than the one represented on the screen, both in tone and in emotional impact... different in the best sense of the word. Every print is an original, and my hope is that it finds a good space in your home.
Each print will be signed and dated by me, the photographer, and numbered to a maximum of 50 prints (11x14) per negative.
Leandro + Playa, Santa Maria Del Mar, Cuba, 2014
Back in 2014 Leandro Carrazana was a young dancer who was gracious enough to join us on the beach early one morning. It was a pleasure to witness his talents in this beautiful setting, and I’m so happy to have these images as a reminder of better times.
Sunday, June 5, 2022
Best Friends, Uttar Pradesh, India, 2019
The color portraits by Steve McCurry inspired me to take color film with me to India. These young girls were photographed by me in 2013 when I visited a refugee community in their area. The families were displaced due to the riots of Muzaffarnagar that same year. Now the world is facing a refugee crisis on a massive scale, and a return to chaos for countless girls in Afghanistan. I can only hope otherwise.
Thursday, March 17, 2022
Young Syrian + 9 Frames, Bekaa Valley, Lebanon, 2018
When Customs Officials seized my film going into Cuba, I made a quick decision to salvage my summer and head to Lebanon. From Cuba I ordered the replacement film and flew back to the States immediately, then caught the plane to Lebanon with the new film!
I was so glad that I did, because the photography in Lebanon flourished. Here connections were made with further camps and countless new children. This young girl was as exquisite as any star and had the light on that afternoon to make portraits with the classic, Hollywood light!
What an experience!
Wednesday, December 29, 2021
Branch + Death Valley, California, 2019, Limited Edition (50), 11x14 Silver Gelatin Print,
Death Valley was unlike any other place I had ever visited in my life. People warned me about going unprepared, but I thought I would be fine. Driving there in a rental car seemed just fine, even with just a gallon of water with me. Then as the car climbed one of the mountains the overheat light turned on. Then I realized that leaving the fan on while driving in this hot environment was not such a good idea. I turned off the A/C immediately and the light disappeared. From that moment on I respected the space much more so, and appreciated all signs of life.
Including this sample from the mountain top, with the valley in the distance. I thought, 'how fragile life was, how seemingly fleeting it can be!'
The frame was exposed with the sun coming from the other direction, giving me a better perspective of Death Valley and life in general.
The purpose of selling these prints on Etsy is to support the social work being accomplished through my photography. Presently we have six sewing centers in two states of India, serving both the Hindu and the Muslim communities. In these sewing centers, young women learn a trade while also making clothing for their families. The centers are located in the rural areas, where young women have only one option normally, marriage and a family. At this moment, due to COVID-19, the work is on hold. However, we plan to restart the centers in 2022 and the funds from the sale of these portraits will be applied to the work in India.
This is a silver gelatin print made by me, the photographer, in my darkroom. It is printed on Ilford MGIVWT glossy fiber 11x14 paper, and toned in selenium for permanence. It is processed in a Zone VI washer to archival standards, and allowed to dry overnight on a screen. The camera/lens combination was a Hasselblad 501CM/100mm, and the frame was exposed onto Ilford Delta 100 using natural light. This portrait is from a library of well over 300,000 negatives exposed over the last 24 years, from four continents and a dozen countries.



















