Showing posts with label Lebanon. Show all posts
Showing posts with label Lebanon. Show all posts

Wednesday, November 16, 2022

Young Syrian + Headdress, Outside of Zahle, Lebanon


Looking back at my early years with the Syrian children living in Lebanon. Back then they lived in Lebanon in order to find work, to better support their families.

I remember her very well. While we waited for softer light, she insisted on being photographed right then and there. Her reason was that she needed to go home. All of a sudden all the girls wanted to be photographed right then. She had a great attitude and did her best with the sunlight!

Wednesday, November 2, 2022

Syrian Refugee, Bekaa Valley, Lebanon, 2010

Looking back over the past 20 years has made me even more grateful for choosing photography as a path in life. The camera has given me chances otherwise unavailable, such as meeting this Arab woman from Syria. Hers was my first camp, and she made it possible. These experiences have shaped my view of the world, and I’m thankful for that.


Thursday, March 17, 2022

Young Syrian + 9 Frames, Bekaa Valley, Lebanon, 2018


When Customs Officials seized my film going into Cuba, I made a quick decision to salvage my summer and head to Lebanon. From Cuba I ordered the replacement film and flew back to the States immediately, then caught the plane to Lebanon with the new film!

I was so glad that I did, because the photography in Lebanon flourished. Here connections were made with further camps and countless new children. This young girl was as exquisite as any star and had the light on that afternoon to make portraits with the classic, Hollywood light!

What an experience!

Saturday, December 25, 2021

Best Friends + Syrians, Near Zahle, Lebanon, 2019


Normally boys create chaos due to my photography of the girls, but these boys were my allies in keeping the peace. Even though chaos ensued to some degree, I was proud of them!

Friday, December 24, 2021

Syrian Child + School, Near Zahle, Lebanon, 2019


It’s amazing to see such expressions of love on my first visit to a place. One, this is a conservative community. Two, the pictures are being made by a stranger to her camp. Three, I am Lebanese while she is Syrian.

In the end all three points are irrelevant. More than Arabic as a common language, it’s the language without words that matters most. 

Here she is in front of the NGO school in her camp, expressing herself with that pose and smile!

Wednesday, December 22, 2021

Sisters + Mountains, Near Zahle, Lebanon, 2019


It’s amazing to see such expressions of friendship on my first visit to a place. One, this is a conservative community. Two, the pictures are being made by a stranger to their camp. Three, I am Lebanese while they are Syrian.

In the end all three points disappeared in the face of true friendship, between themselves and between them and the stranger with the camera. More than Arabic as a common language, it’s the language without words that matters most. 

Here are two girls simply having fun without any concern for the thoughts of others!

Monday, December 28, 2020

Young Girl + Camp, Syrian living in Lebanon, 2019


Last summer I sat with this girl for a session of photography. In her camp my photography was born 22 years ago, but it was the first time specifically in this spot. To be able to sit down with these girls is an honor beyond my ability to describe. The trust their parents have in me is immeasurable, for in the end I am a foreigner with a different faith. Yet we are a family unlike any other. My love and respect for them is like that for my very family. While we were talking the leader of this refugee camp pulled out a picture I made of him over 17 years ago, and smiled with pride.

El verano pasado me senté con esta niña para tomar una sesión de fotografía. En este campo nació mi fotografía hace 22 años, pero fue la primera vez en este lugar específicamente. Poder sentarme con estas niñas es un honor más allá de lo que puedo describir. La confianza que sus padres tienen en mí es inconmensurable, porque al final soy un extranjero con una fe diferente. Sin embargo, somos una familia como ninguna otra. Mi amor y respeto por ellos es así para mi propia familia. Mientras hablábamos, el líder de este campamento de refugiados sacó una foto que hice de él hace más de 17 años y sonrió con orgullo.

Sit-down + Camp, Zahle, Lebanon, 2004


Their community gave birth to my work 20 years ago and continues to inspire me. Back then they were migrants working the fields and factories of Lebanon, having moved into camps for the sake of a better life. Now their homes in Syria are almost certainly destroyed and they are living as refugees in Lebanon. My hope is that the violence ends and their community can find peace as well as a life without struggle. I look forward to seeing them on Monday.

Sunday, December 20, 2020

Love and Peace, Zahle, Lebanon, 2019


At her tender age she knows more than the fools in charge of the land in which she lives. She understands what we need now and displays it with her hand and her sweater. The ruling class needs to have such wisdom.

For 23 years I have had the privilege of photographing the Syrians living within Lebanon. Her camp was a new one for me last year, yet the children were as warm as those from the familiar camps. This is the expression they shared with me, such kindness! 

They are barely surviving in these strenuous times, even worse after the explosion and the failures of the economy and the ruling class. My hope is for better, for a brighter future. 

Tuesday, December 15, 2020

Syrian Girls + Tent, Near Zahle, Lebanon, 2019


The darkroom has been the saving grace for this summer's inability to travel, especially to see my family in Lebanon... both blood and photographic. Moments like the one in this image are unforgettable, and inspire me to believe in a better future. These girls and their families were forced to leave their homeland of Syria due to the civil war, and have done their best to survive in Lebanon. We were finished with our photography for the afternoon and decided to have some fun with the digital camera. A bit of joking and they were off to the races with their laughter... missing moments like this, and will wait patiently until the next time! 

Monday, December 14, 2020

Romy + Sky, Zahle, Lebanon, 2019


Last year I was working in Los Angeles for 3 months. One weekend I returned to Cleveland for a visit, and drove out to DC to pick up the processed film from Lebanon. It had been months since the film was dropped off for processing. Thanks to David and Dodge Chrome Imaging, the film looked beautiful!

A big thanks to Romy Drouby for her patience on that beautiful afternoon in Zahle, Lebanon! 

Monday, November 16, 2020

Syrian Girl, Outside of Zahle, Lebanon, 2019


This is my last week with Lebanon before printing Nicaragua next week in the darkroom. Living with these negatives over the past four weeks has been like reliving the experiences of making the images last summer. 

Every image reminds me of the room in which it was made, of the approach to that camp, of the excitement in the children and of my time with my family over a period of three months. Last year was sincerely a blessing, as is her portrait.

Thursday, November 12, 2020

Young Syrian + Loupes, Darkroom, Cleveland, 2020


Next up in the darkroom is her portrait, made last year while in Lebanon. While I was there by choice, her family was forced to live under these circumstances after fleeing the violence in Syria. Today in the darkroom is dedicated to her and her friends.


Thursday, November 5, 2020

Young Syrian + Doorway, Near Zahle, Lebanon, 2019



Every time a negative goes under the light and the image is projected onto the paper, I'm thankful for last summer in Lebanon. While I was there for a month before my plans for the summer, complications upon arrival in Cuba forced me to change plans and head back to Lebanon... happenstance at its finest.

I was able to spend more than two months with my uncle and aunts, walked the streets of my mother's hometown every day, and visit the camps which gave birth to my work in my twenties. The children of the children were then photographed, a testimony to the relationships built back then.

This young girl lives in a familiar neighborhood, one which I visited twenty years ago. Her parents were children back then, and now it's her turn to be photographed, to share her story. Her connection to the camera was so remarkable that even looking down it was evident. This is the image chosen for the day. 

Tuesday, September 1, 2020

Grain + Syrian Refugee, Near Zahle, Lebanon, 2019



When I began using film almost 25 years ago, grain was an enemy. Now I embrace the clusters of silver particles and enlarge an image extensively to see them!

Another day in the darkroom with her negative being printed first. The actual image is a bit further from her but it felt right to amplify her features, to showcase her strength up close. She is a Syrian girl forced to live in Lebanon, with her family doing what it can to survive. It was and is a privilege to have made her portrait, and I hope that these images help carry her message further.

Sunday, July 19, 2020

Syrian Girl + Classroom, Bekaa Valley, Lebanon, 2019


Last summer was supposed to be spent in Cuba, but Customs officials seized my film and plans changed. The summer was instead spent expanding on the work begun in 1997 and going to new camps. One such place was this young girl's camp. 

Like the rest of the girls in my photography in Lebanon, she is Syrian and was forced to move from her home. The camp in which she lives is quite large, and split into three parts. Each part represents Syrians from various parts of the country. What they have in common is their heartache, and desire to see their homeland once again.

For this portrait a very nice man allowed me to enter the school that a European NGO started for their children. He had the key and we found the space to be both serene and creative. All of the girls went home to prepare, to play with their hair and to also bring some scarves for variety.

There was a meshwork in the window along with a wooden stick. This incredible man removed both so that the light can enter freely, and put that material back up once we finished. These details make these portraits, and without them the images would be impossible.

She is a remarkably strong girl, and had no problem being photographed in front of the rest of her friends. As a matter of fact I returned on two more occasions to make her portrait, in the same space and with that glorious window ready. Last summer the photography in Lebanon changed, as we entered schools and people's homes to make the best portraits possible.

The sheen of the paper has been left alone in this image, so that we get a sense of the magic of film photography, and the depth of the shadows. It's a privilege to have made her portrait, and to have this final image in my hands this evening.
 

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A Syrian Through the Loupes, Bekaa Valley, Lebanon, 2019


A look through the loupes of a negative made last summer in Lebanon, of a Syrian refugee living in a camp near Zahle. While the pandemic has prevented me from seeing her and her family this summer, they are in my thoughts constantly. The printing of their negatives in the darkroom helps me relive our encounters from last year. She and her family have been living in Lebanon since the hostilities forced them to leave Syria. My hope is that one day they can return and rebuild their homes.

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Monday, June 22, 2020

Young Syrian + Scarf, Bekaa Valley, Lebanon, 2019


As the series from last year in Lebanon continues, more and more familiar faces rise through the developer. This young girl lives but ten minutes away from my family's home in Zahle, and in the very first encampment which gave birth to my images in Lebanon over two decades.

Her portrait needed to be printed close up, cropped and large, embracing the grain of #kodaktrix and her incredibly strong expression!


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Saturday, June 13, 2020

Chemicals + Darkroom, Cleveland Heights, Ohio, 2020


Everything is ready to go for another week in the darkroom, finishing the prints from Lebanon and moving on to the negatives from Nicaragua.

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Best Friends, Syrian Girls, Bekaa Valley, Lebanon, 2019


There’s something magical about the darkroom, the place where light which was faithfully transmitted to film can then be transferred to light-sensitive paper. This is what film photography means to me, from the selection of the negative, to the placement under the light source, to the focus on the easel, to the test strip, to the setting of contrast and finally to the fiber print!

This was printed today, a portrait of two best friends from my time in Lebanon last year. They are Syrians living in Lebanon during these difficult times, and are on my mind as summer approaches. My hope is that their future is as bright as the light in this enlarger, and as pure.


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