Thursday, December 29, 2022
Mentally + Physically Challenged, Kisumu, Kenya, 2007
Over 16 years ago it was my privilege to visit this region and photography two homes for mentally and physically challenged individuals. I was deeply moved by the dedication of the staff and the resilience of the occupants. The young girl in the background of this image was a force of nature herself, as she went back and forth between friends in order to help them with their portraits. She was the first person I met with Down's Syndrome thru my photography and will never be forgotten.
Sunday, December 25, 2022
Young Boy in School Uniform, Near Kisumu, Kenya, 2007
Fourteen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Wednesday, December 14, 2022
Woman + Field, Kisumu, Kenya, 2007
More than a decade and a half ago I was able to visit eastern Kenya in collaboration with an NGO named MACODEF. They were working in this region with the Maragoli Community and were doing so on many levels. It was an honor to witness the various schools with which they were collaborating, two centers for mentally and physically challenged children as well as dealing with the social complications stemming from the HIV/AIDS epidemic. While most of the photography was in monochrome, some of it thankfully included color.
Wednesday, November 16, 2022
Students next to Classroom, Kisumu, Kenya, 2007
Fourteen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Sunday, June 26, 2022
Best Friends + School, Kisumu, Kenya, 2007
Fourteen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Friday, December 24, 2021
Maasai + Boulders, Kenya, 2007, Limited Edition (50), 11x14 Silver Gelatin Print
This is a silver gelatin print of a young Maasai man made by me, the photographer, in my darkroom. It is printed on Ilford MGIVWT glossy fiber 11x14 paper, and toned in selenium for permanence. It is processed in a Zone VI washer to archival standards, and allowed to dry overnight on a screen. This young man and his friends agreed to be photographed in advance of that morning, and met us at the spot agreed upon earlier. They were so kind and generous with their time. They even held my hand as we crossed the street, and really made an impression on me.
The camera/lens combination was a Hasselblad 501CM/180mm, and the frame was exposed onto Fuji's brilliant Neopan Acros 100 using natural light. This portrait is from a library of well over 300,000 negatives exposed over the last 24 years, from four continents and a dozen countries. Every person is spoken with prior to the portrait, and the process is explained fully. Most of my work is on film, and the countries are revisited year after year in order to continue the documentation of the same families, of the same communities.
The purpose of selling these portraits on Etsy is to support the social work being accomplished through my photography. Presently we have six sewing centers in two states of India, serving both the Hindu and the Muslim communities. In these sewing centers, young women learn a trade while also making clothing for their families. The centers are located in the rural areas, where young women have only one option normally, marriage and a family. At this moment, due to COVID-19, the work is on hold. However, we plan to restart the centers in 2022 and the funds from the sale of these portraits will be applied to the work in India.
As a side note, my belief is that you will be very pleased with the print in person, as the tones of a silver gelatin print are difficult to represent through the screen. One may sense the surface of the print by looking at the gloss in certain areas of the print's surface. In the end, the print you will receive will be slightly different than the one represented on the screen, both in tone and in emotional impact... different in the best sense of the word. Every print is an original, and my hope is that it finds a good space in your home.
Each print will be signed and dated by me, the photographer, and numbered to a maximum of 50 prints (11x14) per negative.
Thursday, December 23, 2021
Young Student + Orphan, Kisumu, Kenya, 2007
A dozen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Monday, February 8, 2021
Massai + Me, Kisumu, Kenya, 2007
While making sure all film rolls have been scanned, this frame ran across the screen. It dates back to 2007 and my time with the Masai of eastern Kenya. A dear friend Nga Nga made it all possible, and allowed me to meet an very kind community. I am glad that Nga Nga used my camera to make this image, and look forward to my return to their community one day in the future. After we finished our session in the countryside, this group of men decided to walk back to town rather than take a bus... a walk of around 10 kilometers in the hot sun. What inspirations!
Massai + Sky, Kisumu, Kenya, 2007
Last month was spent scanning all of the color film from the past 20 years. For some reason, I scanned the monochrome only, and neglected the color film all these years. This young man belongs to the Masai Community and was photographed during my time in Eastern Kenya. Thanks to my brother Nga Nga this work was possible, and I will forever be in debt to this great man.
Saturday, December 26, 2020
Widow + HIV/AIDS, Kisumu, Kenya, 2007
This was my first visit to Kenya, and it was a deeply enlightening experience. It was an honor to document the work of a local #ngo, concentrating on the Maragoli community near Kisumu. The foundation worked with orphans, mentally and physically challenged children as well as families ravaged by the HIV/AIDS epidemic. The people photographed were some of the most stoic in my experience, and inspired me to do the best possible on their collective behalf.
Thursday, December 10, 2020
Boys + Boulders, Kisumu, Kenya, 2007
A dozen years ago an organization named MACODEF allowed me to document their work in western Kenya, near the city of Kisumu. They worked with orphaned children from the ongoing HIV/AIDS tragedy, as well as the consequences throughout the society. We walked through villages and sessions were organized in the open fields, houses and schools. We made portraits for an hour or so, then I made this snapshot of the boys hanging around under the tree. It felt like a moment from 100 years before, a surreal experience.
Thursday, November 5, 2020
Best Friends, Kisumu, Kenya, 2007
As prints wash in the darkroom tonight, I am reminded that countless others have infinitely less. In this series are children who live in a group home outside of Kisumu, Kenya. They have one set of clothes and sleep in a large room with others. Yet they have the most attentive, loving team looking after them... helping them even with their pictures for our session. I'm humbled by their strength in the face of such odds.
Challenged + School, Kisumu, Kenya, 2007
This young boy however did his best to compose himself for his portrait, all under his own power. What it took him to do so one cannot imagine... even 14 years after this series was made. I'm humbled by his strength in the face of such odds, and will wait patiently until it's time for me to go home.
Thursday, December 27, 2018
Woman + White Wall, Kisumu, Kenya, 2007
We arrive at a white building near the school. As with the other days, the good people of the foundation advise me that we will wait a few minutes and the people will begin arriving. Maybe one minute goes by and the people are already coming.
A few men from the good works projects arrive first. These are older men that were perhaps doing little before meeting the foundation and are now involved in public works projects and environmental improvement initiatives. They pose first and we make their portraits while the sun is still a bit strong.
Then the older men and women come along. Samuel from MACODEF arranges himself to note their names down and one by one they stand in a line. At any one time, there are perhaps thirty people waiting patiently.
The sun is strong and the temperature high. Nonetheless, everyone waits their turn and gives me a minute in front of the camera. They appreciate even this one minute and sacrifice an hour of their time to do so, maybe even more. Their appreciation is deeply moving, and my hope is that their portraits do honor to their collective spirit.
Website
Friday, December 14, 2018
Woman + Field, Kisumu, Kenya, 2006
In light of the testimonials being shared most recently through 'me too,' this portrait of a mother is being shared. It was an honor to have heard her story, and a privilege to present it here.
A dozen years ago a connection was made to visit communities in western Kenya. The foundation asked me, "how many people would you like to photograph?" In my nativity, the answer was "as many as possible."
Upon landing, we immediately headed out to photograph a church and a congregation. It was clear to me that we would never run out of people to photograph. We would sometimes arrive at a school, and the teachers would have all of the students line up... well over three hundred students a few times.
So when I was told that we were going to visit a small home, I let out a sigh of relief. Then I was told that we would be visiting with a support group for individuals with HIV/AIDS. This weighed heavily on me, for my mind was on making sure the work lived up to the people being photographed.
When we arrived everyone welcomed us with such warmth, such kindness, that all anxiety melted away. There were perhaps two dozen people in the house. After introductions were made, each person courageously shared their story with us. While the people from the foundation did their best to translate, the tones of the voices as well as the expressions on their faces spoke volumes.
Each spoke while absolute silence prevailed, telling the stories of how they had been affected, of how their husbands had strayed from their marriages and brought the virus back into their beds. It was a deeply moving moment, and left me without words. Perhaps more than the stories, it was how they had told them that struck me. It was as if they had forgiven their husbands, and accepted the cards that they had been dealt. The strength in their presentations was supremely clear, a testament to their intact spirits.
All of this was happening as their children sat at their feet, a visual which stays with me to this day. My eyes moved from the mothers to their children as each spoke, and noticed the bond between them. This I will never forget.
Website
Note: This frame was made with a Nikon F100.
Wednesday, November 28, 2018
Boys Will Be Boys, Kisumu, Kenya, 2006
This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely. Note: Image was made with a Nikon F100 camera.
Website
Note: Image was made with a Nikon F100 camera.
Tuesday, November 27, 2018
Group of Boys + Boulders, Kisumu, Kenya, 2006
This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Website
Note: Image was made with a Nikon F100 camera.
Tuesday, November 6, 2018
Father + Home, Kisumu, Kenya, 2007
After we finished photographing a school, I was taken to this man's house where he and his son were present. It was a small, mud structure in which a full family slept. The house consisted of one room, and all slept on the floor. His son had just been accepted into high school and held the letter of acceptance in his hands with such pride.
The moment was bittersweet however, because the family was unable to afford the books and uniform needed. The heartbreak was clearly visible on both of their faces, and in their mannerisms. For most of us this is unimaginable, yet for so many this is the reality. Education is anything but given, and is usually a luxury.
My hope is that his son did attend higher education however, and that the family is now in a better place.
Friday, October 20, 2017
Proud Father, Outskirts of Kisumu, Kenya, 2007
After we finished photographing a school, I was taken to this man's house where he and his son were present. It was a small, mud structure in which a full family slept. The house consisted of one room, and all slept on the floor.
His son had just been accepted into high school and held the letter of acceptance in his hands with such pride. The moment was bittersweet however, because the family was unable to afford the books and uniform needed. The heartbreak was clearly visible on both of their faces, and in their mannerisms.
For most of us this is unimaginable, yet for so many this is the reality. Education is anything but given, and is usually a luxury. This is what makes our work with Nirvana Bodhisattva and his team so important, for Nirvanavan Foundation promotes education above all else.
My hope is that his son did attend higher education however, and that the family is now in a better place.
Website
Note: This image was made with a Hasselblad V system.
Thursday, October 19, 2017
Elder + Field, Outskirts of Kisumu, Kenya, 2007
She sat on a wooden chair in front of a field of grass for her portrait. One after another stepped forth to be photographed. Just when we thought all of the villagers had come and the line was at its end, more people walked up and took their place in line.
The scene was surreal, especially in light of the fact that it was spontaneous, with nothing arranged in advance. Everyone walked at the slowest of paces, and stood in line with anticipation. What began on the spur of the moment turned into a most formal setting, like a studio had been set up in the middle of the village.
So it was that the black chair was volunteered, and each took their place perfectly. Even when the sun was getting a bit hot, we continued and raised the camera in order to minimize the shadows under the eyes, and neck. The faces were extraordinary, and make me want to get into the darkroom immediately. The fact is that these negatives have never been printed, a full decade later.
There is much to do!
Website
Note: This image was made with a Hasselblad V system.


















