This elderly man stands watch over the school in his village on a daily basis. During the day he sits in front of the school hoping to receive donations for the school from cars passing by on the road. He also has a wonderful voice as we were honored to record one afternoon. It's been my privilege to have known this man.
TwitterThursday, December 29, 2022
Wednesday, December 14, 2022
Best Friends + Field, Shamli District, Uttar Pradesh, India
I do miss these young girls and their friends, and have the highest respect for their courage in the midst of indifference and intolerance. Their village is the one in which I sleep during my stay in Uttar Pradesh, thanks to @chmunshadali and his beautiful family.
Their village is their world, and more exactly their home is their world. Unless they are attending school, they are almost always within the confines of their homes.
They’re fully aware of the hardships facing them and yet they persevere and endure through it all. In this classroom they could be themselves and act out their creative thoughts. It’s been an honor to be at their side all of these years.
Monday, November 28, 2022
Four friends + Flower, Shamli District, Uttar Pradesh, India
This is what happens when the digital camera comes out. The girls start to run around, pick friends and get creative. We use available light and sit still while the students direct the photography. I’m blessed to have film portraits of all these girls, and some digital images as a reminder of our times together.
Monday, February 8, 2021
Young Student + Classroom in Construction, Shamli District, Uttar Pradesh, India, 2020
If at all in doubt, one look at her portrait and all falls into place. She attends a small, religious school in the state of Uttar Pradesh. For her portrait she was standing near a window in a newly constructed classroom. The confidence she shows is remarkable for her age, and for a young girl having her portrait made by someone so different from the men in her village.
Her headmaster is a good man and is planning to construct a new school for the girls of the region. He is moved by the fact that education for girls is less prized by the villagers, in comparison to the education for boys. His decision to pursue such a plan impressed me deeply, and I will work hard on my end to gather the funds necessary by reaching out to the Muslim Community on this side of the world... and every other source of course.
One look into her eyes makes it clear that the work is both important and necessary. The fact that this work is needed in more villages than one can possibly count only makes it more urgent. Anyone moved by this is more than welcome to join.
Monday, December 28, 2020
Young Student + Chalkboard, Shamli District, Uttar Pradesh, India, 2020
Before this year's visit to India much was up in the air and it was uncertain whether the work with the madrasas would continue. Thanks to great communication by Imdadullah and to the trust built over the past six years, the photography flourished even more so than last year. Her portrait was made earlier in March of this year, as we visited the last madrasa in question. Her strength in front of the lens impressed me sincerely, and my hope is that her portrait does her justice.
Thursday, December 24, 2020
Best Friends + Classroom, Shamli District, Uttar Pradesh, India, 2019
Day before yesterday we photographed their school for the first time this year. We visited this school many times over the past few years but this year they have made a more serious effort to include more girls. They are also looking to hire more teachers and improve their level of education.
Our session included an impromptu hour of photography in their classroom and in front of their friends, thus the smiles on their incredible faces.
Over the past three weeks we have visited over 10 villages and reconnected with all madrasas within them thanks to my brother Imdadulla Nadvi and his trust in our collaboration. Tomorrow we set out to visit two more schools and meet more beautiful students of this region.
Saturday, December 19, 2020
Young Girl + Shadows, Uttar Pradesh, India, 2020
Over the past seven years it's been my honor to photograph students in a dozen schools within Shamli District, thanks to Imdadullah and his connections. This girl and her sister both attend one of these schools. For the time being it is strictly a religious school, but the headmaster would like to expand the school and include a full curriculum as well.
Both of the sisters have light eyes, and the headmaster allows us to photograph to almost sunset to allow us to photograph them. In the back of the school there's a space with a slit of light squeezing through two walls. We usually begin with the other girls, and as the sun nears the horizon these two girls come forward for their portraits.
That's exactly what happened for this image, and she began the roll with her gaze down to the ground. Slowly she raised her eyes to the lens and the shutter was released the entire time. Just this week this print was made in the darkroom, bringing that moment from six months ago to the present.
Note: this image was printed onto Ilford 11x14 fiber paper, and toned in Selenium for permanence.
Saturday, December 12, 2020
Student + Doorway, Uttar Pradesh, India, 2020
Earlier this year due to the pandemic, my return from India was delayed by 6 weeks. The entire time all 600 or so rolls of film were tucked away in the suitcase. My concern was that as the temperatures increased damage would be done to the film. I did the best that I could by keeping the door of the room closed during the day, and open at night. My host family allowed me to use the cooler as well.
All the while I had the digital images to review, including this portrait. This young girl and her sister have been photographed by me over the past five or so years. I would look through the files and just hope that the film equivalents were safe. Taking walks twice a day helped, and the birds on the wires kept me company.
Now I look back and have even more appreciation for my host family. All of the film was processed successfully and her portrait on film is just as exquisite.
Tuesday, December 1, 2020
800 Pictures, Local Madrasa, Uttar Pradesh, India, 2020
This is what 800 photographs looked like when we handed them to the eager students at a local school, a school which is quite special to us. The students love to be photographed and are beyond kind. To be able to photograph young, muslim girls in a traditional school is quite a privilege. It is my intention to respond to their need to improve their school, and open a new school just for the girls.
Wednesday, June 26, 2019
Clay Bowl, Rajasthan, India, 2018
Just happened that as I walked behind the tree in the previous post, I found this beautiful artifact, and immediately was drawn to it. Now and then as I walk through the villages in my work I look for items to bring back home, and was beyond fortunate to have seen it.
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Monday, November 5, 2018
Fundraising for Our School in Uttar Pradesh
It's simple actually... we have begun sewing centers in Uttar Pradesh and are looking to connect them with their local and our international markets. A skill set is crucial, yet so is supporting one's family with that skill set. All of us can appreciate this for we do this on a daily basis. Let's pull our resources together and send us your connections!
Wednesday, November 15, 2017
Syrian Refugee + Fabric, Zahle, Lebanon, 2017
Most are offended by the intense smell, or by the mere presence of the refugees within their country. In so many ways such a presence has put a strain on the country, with the economy in distress and the already fragile security more strained.
However for me these camps are the birth of my photography, for me the children within them are as beautiful, as strong and as vibrant as any encountered in my travels. They are the flowers amidst the chaos, they are the inspiration behind my work.
This young girl's smile erases the difficulty in achieving her portrait. While men look on at times in disapproval, she stands her ground and speaks her mind through her portrait. She refuses to be silenced, refuses to be ignored. If this portrait can communicate such to the viewers, then it has done justice to her spirit.
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Note: This image was made with a Hasselblad 555 ELD/180 mm combination onto Ilford Delta 100 film.
Tuesday, October 24, 2017
Two Refugees + Wall of Fabric, Muzaffarnagar, India, 2013
As Nirvana and his team move to establish a school in this region, memories of the crisis leading to this very movement come rushing forth. Four years ago I was invited to document the refugee crisis as a result of the Muzaffarnagar Riots of 2013. During our walks my eyes witnessed people doing the work on the ground, donating their land so that those without could begin to rebuild their lives.
We walked around tent where children had nothing more than the clothes on their bodies. The only protection between them and the world was a wall of fabric, and so we decided to make some portraits with the girls behind these walls. We did so in order to show the fragility of their circumstances. For most of us it is nearly impossible to imagine such an existence, especially in light of the fact that these very children were forced out of their villages in a most tragic manner.
Over the years the good people of this community brought to our attention the possibility of a collaboration. While public schools do exist in many of the villages, the quality of the schools are so that most parents refuse to send their children, especially their girls. This holds even more so when it comes to anything higher than primary school, since sending their girls to a secondary school further away is out of the question.
The community does however have incredible faith in their traditional, religious schools. The elders of one village advised that they would of course donate the building and the land, should Nirvanavan Foundation be able to implement a school worthy of their children within these schools. For such to work, a proper curriculum would need to be implemented, which would include the traditional classes as well as the arts, and so forth.
A sincere conversation was had earlier this year as Nirvana made it a point to visit the area personally, and with his team. He also invited the leaders of this community to Rajasthan in order for them to witness the foundation's work in person.
Long story short, the generosity of those here on FB will soon be realized on the ground, as the school begins to take shape over the next few months. My aim is to be there in February to document the changes, and of course to make portraits of the very children benefiting from this collaboration!
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Note: This image was made with a Hasselblad V system.
Thursday, October 19, 2017
Elder + Field, Outskirts of Kisumu, Kenya, 2007
She sat on a wooden chair in front of a field of grass for her portrait. One after another stepped forth to be photographed. Just when we thought all of the villagers had come and the line was at its end, more people walked up and took their place in line.
The scene was surreal, especially in light of the fact that it was spontaneous, with nothing arranged in advance. Everyone walked at the slowest of paces, and stood in line with anticipation. What began on the spur of the moment turned into a most formal setting, like a studio had been set up in the middle of the village.
So it was that the black chair was volunteered, and each took their place perfectly. Even when the sun was getting a bit hot, we continued and raised the camera in order to minimize the shadows under the eyes, and neck. The faces were extraordinary, and make me want to get into the darkroom immediately. The fact is that these negatives have never been printed, a full decade later.
There is much to do!
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Note: This image was made with a Hasselblad V system.
Tuesday, October 17, 2017
Young Student + Window, Shamli District, Uttar Pradesh, India, 2017
This will be the very first negative to be printed in the darkroom this week. For those involved in her school, her portrait is being presented with gratitude. She is one of nearly 150 new students to benefit from the new classes. The first quarter of the budget has been received this week by Nirvanavan Foundation, and plans are under way to move forward with the establishment of the school in her village.
There is something truly magical about this room, and it was discovered almost by accident. One day when we were finished with the portraits in direct sunlight, we decided to go inside and found the light to be absolutely magnificent. The girls loved it of course because they could be photographed in peace, without the prying eyes of the village. They also loved the fact that they were being photographed in subtle light, rather than under the hot sun. So it began, the love affair with window light... and the creativity of the girls just blossomed.
Portraits now included two girls at a time, some near the window, some further away. Some girls looked at the camera, while some girls looked to the window. This young girl specifically was a true natural in front of the lens, and whenever asked stepped right up. Our partners in the village have created a special place for these children, allowing them to collaborate with us and without fear of being scolded. These girls have never been allowed to interact in such a way, and now they had the freedom to do so... and truly lived in the moment.
To see this young girl so poised for her portrait, so confident, pushes me forward even more so. All of those involved have my gratitude for helping make her school possible... and my respect goes to Nirvana and his team for the difficult work ahead.
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Note: This frame was made with a Hasselblad V system onto Ilford film, and scanned only for preview purposes through the negative sleeve.
Tuesday, October 3, 2017
Sewing Teacher + Classroom, Rajasthan, India, 2017
She stands in front of her home, over eleven years after her first portrait was made just a few meters away. For those of us from this circle involved in this movement, we present her portrait. Her aunt teaches the younger students on behalf of Nirvanavan Foundation, while she holds sewing classes for the older girls in her village.
She is a force to be reckoned with, a true testament to the power of education. Rather than sitting on the floor like the older women in her village, she sits on the chair with such poise, and speaks as an equal to all those visiting her home.
It has been a privilege to have seen her transformation over the years. She began as a young girl, barely able to look my way when being photographed. Last year she asked for our support when she moves forward to begin a sewing class in her new husband's village. She has transformed from a shy student to a powerful proponent of social change.
This is the change people speak about, and I salute all of those involved for making this change a reality in her village!
Website
Note: This image was made with a Sony RX100M3.
Sunday, September 24, 2017
Young Student + Rooftop of School, Shamli District, India, 2017
The faces in this village amazed me every single year, as this young student stepped up for her portrait. There was something about them which was impossible for me to explain. My hope is that the camera has done a better job at communicating this variable to the viewers.
The day before we photographed the older students, yet this day was for her and her younger friends. When we walked down from the rooftop to gather the girls from their class, we were greeted with the most excited students. They just couldn't wait to be called, and jumped up without asking permission from their teacher. Thank goodness we had done so earlier, as the teacher watched the students run up the stairs.
Being photographed inside was something they loved. This allowed them a sense of privacy rarely experienced by them. Here they were, with their best friends and free to do as they wished in front of the lens. Thus the smiles began to show themselves more freely.
Having reviewed the film from these days in Uttar Pradesh, it is my firm belief that this form of photography will take precedence next year in India and beyond. The combination of gentle light and their freedom to express was something to behold, even more so six months later on medium format film base.
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Note: This image was made with a Sony RX100M3.
Thursday, September 21, 2017
Local Girl + Village Near Advaita Garden, Alwar, Rajasthan, India, 2017
This past trip to India was a revelation photographically, bringing me closer to the children than in previous years. Thanks to my dear brothers Mukesh and Tejpal, we walked through the villages near Advaita Garden with camera in hand.
Without such guidance, it is nearly impossible to walk through rural India and make meaningful portraits. We met this young girl when we searched for her cousin one day, a girl with incredibly clear eyes. It turned out that this young girl was a natural in front of the camera.
On this day she walked over to us as her cousin walked away to collect water for the family. Her hair was as seen in this photograph, and she was about to pull it back when we asked her to leave it alone. She was pleasantly surprised at the request, smiling along the way to this wall. We tried to find a spot with subdued sunlight, and chose this space. She positioned herself so that the sunlight touched her face as we released the shutter.
I look forward to printing this negative in the darkroom soon!
Website
Note: This image was made with a Hasselblad 555 ELD/100 mm combination onto Ilford Delta film.
Wednesday, September 20, 2017
Students + Flower, Rooftop, Shamli District, Uttar Pradesh, India, 2017
Having returned from a summer in Cuba, I look forward to presenting our work in Rajasthan and Uttar Pradesh to those of us involved and interested. Under the guidance of Nirvana and his team at Nirvanavan Foundation, we are proceeding with an interfaith collaboration in the Shamli District of Uttar Pradesh.
This is made possible thanks to the hard work of Imdadullah and his community in the region, and to the generosity of two dozen people from this very circle. By the time of my visit early next year, our hope is that we have established the new school in these girls' village, as well as three sewing centers in the area.
The funds have been raised, and the first quarter has been presented... awaiting transfer in October to the foundation. Once such is done the materials can be produced, and the new school may begin. These two young girls will soon have a formal curriculum in between their religious studies, in this very space.
The need is great, and there are literally dozens of villages in the region deserving of such a collaboration. We hope that this school can be a model for such a movement, truly.
Website
Tuesday, September 19, 2017
Three Friends + Rooftop, Shamli District, Uttar Pradesh, India, 2017
At times when it seems this work will fall short, my mind drifts far away to this village and thinks of these students. They are and have always been the inspiration behind the work. It is for them that so many of you have come together, and it is for them that Nirvana Bodhisattva and his team at Nirvanavan Foundation move forward in this region.
These are the younger students from the village, yet have had almost four years of experience with the photography. Earlier this year we discovered photography in this room and my work was reborn. They have given so much to me, and thanks to all of you the work is going to give back so much to them.
As in the previous posts, I am honored to notify all of you that 50% of the funding is on its way and the remaining 50% has already been raised.
Congratulations to all of you, to all of the girls in Rajasthan and Uttar Pradesh!
Website
Note: This image was made with a Sony RX100M3.


















