Showing posts with label MACODEF. Show all posts
Showing posts with label MACODEF. Show all posts
Thursday, December 29, 2022
Mentally + Physically Challenged, Kisumu, Kenya, 2007
Over 16 years ago it was my privilege to visit this region and photography two homes for mentally and physically challenged individuals. I was deeply moved by the dedication of the staff and the resilience of the occupants. The young girl in the background of this image was a force of nature herself, as she went back and forth between friends in order to help them with their portraits. She was the first person I met with Down's Syndrome thru my photography and will never be forgotten.
Sunday, December 25, 2022
Young Boy in School Uniform, Near Kisumu, Kenya, 2007
Fourteen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Labels:
35mm,
Africa,
BNW,
Darkroom,
Documentary,
Education,
Film,
Human Rights,
Kenya,
Kisumu,
MACODEF,
Monochrome,
National Geographic,
Portrait,
Portraiture,
Rural,
School
Wednesday, November 16, 2022
Students next to Classroom, Kisumu, Kenya, 2007
Fourteen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Labels:
35mm,
Documentary,
Education,
Equality,
Gender,
Girl Power,
Human Rights,
Kenya,
Kenyan,
Kisumu,
MACODEF,
Monochrome,
NGO,
Photography,
School,
Students
Thursday, March 24, 2022
9 Frames + Students, Kisumu, Kenya, 2007
A dozen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Labels:
Acros,
Beauty,
Documentary,
Education,
Film,
Fuji,
Girl Power,
Girls,
Hasselblad,
Human Interest,
Human Rights,
Kenya,
MACODEF,
Medium Format,
Monochrome,
National Portrait Gallery,
Portrait,
School
Thursday, December 23, 2021
Young Student + Orphan, Kisumu, Kenya, 2007
A dozen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Labels:
Africa,
Darkroom,
Documentary,
Film,
Grain,
Hasselblad,
HIV/AIDS,
Human Rights,
Ilford,
Kenya,
Kisumu,
Kodak,
MACODEF,
Maragoli,
Orphan,
Photography,
Silver Gelatin Print
Saturday, December 26, 2020
Widow + HIV/AIDS, Kisumu, Kenya, 2007
This was my first visit to Kenya, and it was a deeply enlightening experience. It was an honor to document the work of a local #ngo, concentrating on the Maragoli community near Kisumu. The foundation worked with orphans, mentally and physically challenged children as well as families ravaged by the HIV/AIDS epidemic. The people photographed were some of the most stoic in my experience, and inspired me to do the best possible on their collective behalf.
Labels:
Africa,
Documentary,
Film,
Fuji,
Hasselblad,
HIV/AIDS,
Human Rights,
Ilford,
Kenya,
Kisumu,
Kodak,
MACODEF,
NGO,
Oppression,
Photography,
Poverty,
Selenium,
Silver Gelatin Print
Thursday, December 10, 2020
Boys + Boulders, Kisumu, Kenya, 2007
A dozen years ago an organization named MACODEF allowed me to document their work in western Kenya, near the city of Kisumu. They worked with orphaned children from the ongoing HIV/AIDS tragedy, as well as the consequences throughout the society. We walked through villages and sessions were organized in the open fields, houses and schools. We made portraits for an hour or so, then I made this snapshot of the boys hanging around under the tree. It felt like a moment from 100 years before, a surreal experience.
Friday, June 5, 2020
Man with Roosters, Rural Kenya, 2007
These are the moments in between planned photography, when a man walks by on his way home with a rooster under his arm. This happened while in rural Kenya, photographing school children and those working for the sake of community development. I hope to return to the continent of Africa soon.
Website
Labels:
Darkroom,
Documentary,
Equality,
Ethnography,
Film,
Fuji,
Human Rights,
Ilford,
Kenya,
Kodak,
MACODEF,
Nikon,
Photography,
Poverty
Wednesday, November 28, 2018
Boys Will Be Boys, Kisumu, Kenya, 2006
A dozen years ago I was privileged to have access to a beautiful community in western Kenya, thanks to a foundation named MACODEF. We went from village to village, from school to school, in search of incredible people and stories. Here is another image from that impromptu session, with one of the boys being a boy!
This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely. Note: Image was made with a Nikon F100 camera.
Website
Instagram
Note: Image was made with a Nikon F100 camera.
This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely. Note: Image was made with a Nikon F100 camera.
Website
Note: Image was made with a Nikon F100 camera.
Labels:
Africa,
Documentary,
Education,
Film,
Human Rights,
Kenya,
Kisumu,
MACODEF,
Nikon,
Photographer,
Photography,
Portrait,
Rural,
Street
Tuesday, November 27, 2018
Group of Boys + Boulders, Kisumu, Kenya, 2006
This school was on the outskirts of Kisumu, and we walked just to the side to make portraits of the entire student body. Some children had shoes and some lacked, while almost all of the children were wearing the only uniform that they possessed. The foundation is doing remarkable work given the conditions, and I applaud their efforts sincerely.
Website
Note: Image was made with a Nikon F100 camera.
Saturday, February 24, 2018
Survivor + HIV/AIDS, Near Kisumu, Kenya, 2006
One day the good people of MACODEF take me to a small house where about thirty women and a few men have gathered in anticipation of our visit. They come from different households and backgrounds but share one variable, living with HIV/AIDS.
While we usually arrive and set up the equipment shortly thereafter, this time we sit down and listen to the stories of each person, one at a time. Here are thirty or so adults, with their children around them, telling a complete stranger the story of how they contracted the virus, of how they remember their spouses as the sources of this transmission and of how their children live with the thought of losing their remaining parent.
Some of the stories are translated, some are left to be heard without translation.
There is a feeling of victory, of jubilation. These women see their tribulations as opportunities rather than obstacles. They have formed a group and through this unity have forged a way forward.
We step outside and make their portraits, first with their children and then on their own. My mind cannot imagine the tribulations each has endured, for their lives without such an unimaginable hardship is beyond my ability to comprehend.
The nearest hospital is beyond their reach and the medicine needed is as distant. Yet they find the strength to take care of themselves and their families, to gather in this group and share their stories in public… in an environment less than friendly for such stories.
Note: This image was made with a Hasselblad V System.
Labels:
Africa,
Documentary,
Film,
Fuji,
Girl Power,
Girl Rising,
Hasselblad,
HIV/AIDS,
Human Rights,
Ilford,
Kenya,
Kodak,
MACODEF,
Monochrome,
Zeiss
Thursday, October 19, 2017
Elder + Field, Outskirts of Kisumu, Kenya, 2007
She sat on a wooden chair in front of a field of grass for her portrait. One after another stepped forth to be photographed. Just when we thought all of the villagers had come and the line was at its end, more people walked up and took their place in line.
The scene was surreal, especially in light of the fact that it was spontaneous, with nothing arranged in advance. Everyone walked at the slowest of paces, and stood in line with anticipation. What began on the spur of the moment turned into a most formal setting, like a studio had been set up in the middle of the village.
So it was that the black chair was volunteered, and each took their place perfectly. Even when the sun was getting a bit hot, we continued and raised the camera in order to minimize the shadows under the eyes, and neck. The faces were extraordinary, and make me want to get into the darkroom immediately. The fact is that these negatives have never been printed, a full decade later.
There is much to do!
Website
Note: This image was made with a Hasselblad V system.
Labels:
Documentary,
Education,
Equality,
Film,
Gender,
Girl Power,
Girl Rising,
Hasselblad,
HIV/AIDS,
Human Rights,
Kenya,
Kisumu,
MACODEF,
Monochrome,
Oppression,
Photography,
Poverty,
Religion,
Rural,
Sex
Saturday, October 15, 2016
Students + Boulders, Halim Ina, Village near Kisumu, Kenya, 2007
Some years ago I had the privilege of visiting western Kenya with a foundation by the name of Maragoli Community Development Foundation (MACODEF). My hosts took me from one school to another and we did our best to photograph everyone, and I mean everyone!
People came out of the woodwork, from behind trees and boulders. Just when I thought our session was over, I would look over my shoulder and see a dozen more people lining up to have their portrait made. The idea that people would come to see what was happening, then line up as if a photography studio set up for the afternoon, was incredible!
In this photograph the students were finished with their portraits and were just hanging out while watching their friends being photographed. All had the same uniforms, with some minor variances. Everyone was just so kind, and generous with their time.
Between Kenya, Senegal and Gambia, there are thousands of negatives which have never seen the light of day. This is one for tonight, with more to be shared over the next four weeks.
Labels:
Africa,
Documentary,
Education,
Film,
Human Rights,
Kenya,
Kisumu,
MACODEF,
Maragoli,
Monochrome,
Photographer,
Photography,
Portrait,
Poverty,
Rural,
Social,
Tribal,
Work
Sunday, November 22, 2015
3 Survivors + HIV/AIDS, Near Kisumu, Kenya, 2006
One day the good people of MACODEF take me to a small house where about thirty women and a few men have gathered in anticipation of our visit. They come from different households and backgrounds but share one variable, living with HIV/AIDS.
While we usually arrive and set up the equipment shortly thereafter, this time we sit down and listen to the stories of each person, one at a time. Here are thirty or so adults, with their children around them, telling a complete stranger the story of how they contracted the virus, of how they remember their spouses as the sources of this transmission and of how their children live with the thought of losing their remaining parent.
Some of the stories are translated, some are left to be heard without translation.
There is a feeling of victory, of jubilation. These women see their tribulations as opportunities rather than obstacles. They have formed a group and through this unity have forged a way forward.
We step outside and make their portraits, first with their children and then on their own. My mind cannot imagine the tribulations each has endured, for their lives without such an unimaginable hardship is beyond my ability to comprehend.
The nearest hospital is beyond their reach and the medicine needed is as distant. Yet they find the strength to take care of themselves and their families, to gather in this group and share their stories in public… in an environment less than friendly for such stories.
Note: These images were made with a Nikon F100/105 mm lens combination.
Labels:
Africa,
Darkroom,
Epidemic,
Ethnographic,
Ethnography,
Film,
Gender,
Girls,
HIV/AIDS,
Human Rights,
Kenya,
Kisumu,
MACODEF,
Photographer,
Photography,
Sex,
Tribal,
Women
Wednesday, April 13, 2011
Girl, Orphan, Student, MACODEF, Western Kenya, 2007
We arrive in the middle of the day to a small school in rural Kenya for her portrait. There is little shade and we find a grassy area for the children to tell us their stories.
We begin with the boys, allowing the girls to get accustomed to our presence. All of the children's names are noted by the good people of MACODEF, a local and international foundation working in this area. Each child is given their chance to sit in the spot chosen, given a few moments to share their expressions with the camera.
Once the boys are finished, it is time for the girls. The expressions range from bewilderment to complete ease, from shyness to brazen confidence. The foundation tells me that many of these children are orphans, some partial and some complete. They also inform me that the source of their present plight is an epidemic of HIV/AIDS.
This is the first time that the words 'partial' and 'complete' have been presented to me in this way and my mind will never see these two words in the same manner. Prior to this experience, hearing that a child is 'complete' would have given me an entirely different notion.
The girl above is one such example. My memory fails me now as to category, but remembers her to be an orphan to be photographed according to the wishes of the foundation. She, like many of the other children, left her shoes back at the entrance of her classroom.
Like all of the other children, her head is shaved to prevent the presence of lice.
She is a testament to a child's enduring spirit.
Labels:
Africa,
Documentary,
Education,
Girls,
Halim Ina,
HIV/AIDS,
Illiteracy,
Kenya,
MACODEF,
Photography,
Poverty,
Rural
Saturday, March 26, 2011
Caretaker, Home for Mentally & Physically Challenged Children, MACODEF, Western Kenya, 2007
In the sweetest of voices, she tells me of her struggles, of her needs regarding the children. Most of the time, there is barely enough to provide in terms of food, clothing and even shelter.
She and her staff work feverishly to make sure that the children have the bare minimum to eat. Since the children in this home are mentally and physically challenged, the process of feeding them is much more difficult.
She nonetheless tends to them like her children, speaks about them in this way. Her tone is very soft and calm, perhaps accustomed to speaking to children in need of such care. These children come from homes perhaps where they had been treated differently. She shares with me some of their stories, of how some had been locked in rooms and others chained to a tree stump.
MACODEF
This is the pain that she caries on her shoulders and does so on behalf of the children, taking the burden from them so that they can concentrate on their progress, on their well being.
She is the caretaker of the children's home described two posts ago. You may learn more and perhaps become active through the following link.
Wednesday, March 16, 2011
Mentally & Physically Challenged Orphan, MACODEF, Western Kenya, February, 2007
The people tell me that this is his only shirt, as is the case with the two dozen or so children in this small orphanage. We arrive early this morning before the children wake, many of them sleeping almost naked in their simple beds.
The simple building is located on the outskirts of a government school where the other children from the area attend classes. The orphans in this small building however will never attend classes on even this simple campus. For them to even receive the minimum care in the orphanage, their families needed to be convinced.
The reality is that before the orphanage these children were hidden from Society, some locked in rooms while others chained and restrained. There is a stigma involved with their physical and mental condition, as perhaps in many other parts of the world. In their present home, they sleep peacefully and are attended to by kind and gentle spirits.
Another fact is shared with me by the people in the orphanage: many of these children are anything but orphans. They do have families but their families have chosen to place them in the orphanage for various reasons, ranging from shame to inability to maintain proper care.
So we arrive this morning and see the children get ready for their photographic session with speed and excitement. The sight of children moving quickly in the shadows of the building gives me an immense sense of honor, of humility. Here are children facing daily hardships that most in the world will never glimpse. Yet they get up this morning and give of themselves without asking for anything in return.
The children from the neighboring school gather on the fence and watch with genuine curiosity. Like the children in the orphanage, they face an extreme life regardless of their mental and physical abilities. They stand in silence and lend their support to their brothers and sisters being photographed, until they are called in by their headmaster.
We photograph for perhaps one hour, against the back wall of the building. The caretakers handle the children with gentle hands, guide them to the camera and allow the children to make their own expressions, to claim their own identity. The young man in the portraits above does just that, without guidance from anyone. He stands his ground and tells his story.
One may view more regarding the foundation doing good works on behalf of the children below.
Labels:
Africa,
Animism,
Discrimination,
Documentary,
Education,
Halim Ina,
Illiteracy,
Inhumanity,
Kenya,
MACODEF,
Mentally Challenged,
Oppression,
Orphan,
Photography,
Poverty
Sunday, December 26, 2010
Student, Orphan, HIV/AIDS, MACODEF, Western Kenya, March, 2007
So we walk from one school to another, from one town to another and from one church to another. One variable that seems less than variable is a shaved head. Almost every single child, especially the young, wears a shaved head.
The people from the foundation tell me that this is to lower the presence of lice. While most do come to school shaved, a few children have a considerable amount of hair. The same people from the foundation tell me that certain families are better situated financially and are able to maintain their children's hygiene more easily. Should they be able to prove such care, then their child is able to retain their hair.
On one occasion, we walk by a home where a mother is shaving her child's head with a razor blade. She is holding the blade in her bare hand and coating her child's head in soap water. The shaving occurs over a tub of water and the child holds herself extremely still. The sound of the blade against bare skin is similar to sand paper on metal.
She notices us to the side, smiles and continues with the shave without a second's hesitation.
According to the Mayo Clinic:
Lice are tiny, wingless, parasitic insects that feed on your blood. Lice are easily spread — especially by schoolchildren — through close personal contact and by sharing belongings.
Labels:
Africa,
Documentary,
Halim Ina,
HIV/AIDS,
Illiteracy,
Kenya,
MACODEF,
Poverty,
Prostitution,
Rural,
Tribe
Sunday, December 19, 2010
Orphan, Schoolchild, HIV/AIDS, MACODEF, Western Kenya, March, 2007
Driving from one spot to another, a scene is to become more and more familiar to me: coffins lined up on the side of the road for sale, some obviously small enough for children.
In this part of Kenya, orphans are orphans because of an epidemic called HIV/AIDS. In school after school visited, the first children to be photographed with the help of MACODEF are the orphans under their sponsorship.
These children know little about wars, conflicts and so on. They know all too much about the violence perpetrated on their social fabric by this epidemic. At the time of this child's birth, one out of every ten women in this region is infected with HIV/AIDS.
According to many estimates, the population living with HIV/AIDS in Kenya is third in number behind South Africa and Nigeria. With an active HIV/AIDS population near 1,500,000 living within its borders, the number of orphans in Kenya has increased to 1,200,000.
The young child above is one such example of the ongoing struggle with the epidemic. On this beautiful morning, we arrive early in order to photograph the youngest of the students. The previous day we photographed the older students.
All of the children are wearing sweaters due to the coolness of the morning. They stand up on a chair while the teachers help with their clothing. My position is below them and in a ditch so as to give me a lower angle. The portraits are made with the sky behind them, this is true for the girls.
We make perhaps three to four portraits per child and then move onto the next student. Each child takes off their shoes prior to standing on the chair. The respect between student and teacher is immense.
We finish our work for the morning and then move on to the next school, where the students will be waiting patiently for our arrival, a population that will tragically include a number of orphans as a result of HIV/AIDS.
Labels:
Africa,
Documentary,
Halim Ina,
HIV/AIDS,
Kenya,
MACODEF,
Orphan,
Poverty,
Prostitution,
Sex
Wednesday, October 27, 2010
Orphan Child, MACODEF, Western Kenya, March, 2006
In four weeks images from the States will be shared alongside images such as the one above.
The past three months have been filled with portraits from the States, with the last two weeks being spent in California. The impetus behind such work is to include faces and spirits from the West alongside the portraits from the East.
The girls from Ethiopia will be able to see women with similar features from California; the girls from India will be able to share their smiles with women from Ohio. Similarities will be as evident as differences, perhaps more so.
In soliciting models from the States, many lessons are learned. While some models dismiss the work through their lack of response, many accept my portraits with nothing short of love. They give of themselves, they donate their time for the sake of sharing their portraits with sisters in my portfolio.
Being accustomed to working with a team of designers and hair stylists, these very women show up with their own wardrobe and a most humble presentation. They understand my work without having ever met me. In four weeks the first images from California will be presented alongside the images from Ohio, images of women whose understanding of my work is without parallel.
In my own backyard faces have been found, lessons learned.
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