Showing posts with label Ballerinas. Show all posts
Showing posts with label Ballerinas. Show all posts

Saturday, February 1, 2020

Dos Ballerinas, León, Nicaragua, 2017


Estas dos personas maravillosas son razón suficiente para que regrese a Nicaragua el próximo fin de semana. Hace dos años visité mi lugar de nacimiento por primera vez desde que mi familia se fue en 1973. El resultado fue que la gente de este hermoso país me aceptó como un hermano. Donde quiera que íbamos, la gente era amable, cada pueblo se sentía como en casa.

Esta fue mi experiencia en León, donde mi padre comenzó su vida como inmigrante hace más de 70 años. Por casualidad terminamos en una escuela de baile que abrazó mi misión fotográfica. Nos dieron acceso a los estudiantes y los profesores nos ayudaron. La tragedia de todo esto es que los rollos expuestos fueron casi todos sin imágenes. ¡Espero que podamos reunirnos cuando comience el nuevo año, y tener una oportunidad más de representar verdaderamente a esta escuela como debería ser representada!

These two wonderful people are enough reason for me to return to Nicaragua next weekend. Two years ago I visited my birthplace for the first time since my family left in 1973. The result was that the people of this beautiful country accepted me like a brother. Everywhere we went the people were kind, every town felt like home.

This was my experience in Leon, where my father began his life as an immigrant over 70 years ago. Through happenstance we ended up at a dance school which embraced my photographic mission. We were provided access to the students, and were aided by the professors. The tragedy of it all is that the rolls exposed were almost all without images. My hope is that we can reunite as the new year begins, and get once more chance to truly represent this school as it should be represented!


Tuesday, June 11, 2019

Iberodance + Malecón, La Habana, Cuba, 2018


El verano pasado tuve la gran oportunidad de trabajar con una compañía de bailarines, Iberodance. Gracias a Anays Diz Pe como siempre, y gracias a mis nuevos amigos de la compañía!

Last summer I had a great opportunity to work with a company of dancers, Iberodance. Thanks to Anays as always, and thanks to my new friends from the company!
 


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Tuesday, September 29, 2015

Ballerina + Sugar Cane, Guanabacoa, Cuba, Summer of 2014



On my way home tonight I received a call from her apartment. To see her name on my phone a few weeks after staying at her home for the summer brought a smile to my face. Her mother and I spoke for a little bit, then her brother took the phone to say hello and let me know that he'll be in the States for the next two weeks. He happens to be the captain of Cuba's National Soccer Team, and a handsome one at that!

I remember when this image was made, as we were walking between the sugar cane fields on our way to the next stop. I turned to her and asked if she'd get behind a few stalks, and she did so with her own flamboyant way. Everything she touches turns into gold so effortlessly.

She was at her dance school this evening, always trying to improve her technique… a perfectionist on every level. It's been less than three weeks since we were together and I am already counting the weeks until we are on the beach once again.

www.halimina.com

Note: This image was made with a Hasselblad 555 ELD/180 mm combination onto Fuji Neopan Acros 100 ISO film.

Saturday, September 19, 2015

Two Ballerinas + Photographer, Santa Maria del Mar, Summer of 2015



This past week I had a wonderful dinner with the president of my new employer, a truly enlightening affair. Instead of diving right into business, this incredible man displayed a level of interest in my photographic work which spoke volumes of his character.

We talked about the schools in India, the ballerinas in Cuba and how the two worlds can co-exist in this new collaboration. Instead of being worried about the time his new employee would be investing into this other world, he showed his complete support for these projects.

After my initial training in Denver this week, I am thinking this weekend of the girls in Cuba... of our time together at Santa Maria del Mar and of this tender moment, when we walked into the water for another photographic session. Even from behind one can sense the dedication these girls possess, the level of love they share with all of us through these images.


Note: This image was made by my friend Alejandro, on a Sony RX100M2.

Friday, May 22, 2015

Professor of Dance, Santa Maria del Mar, Cuba, Summer of 2014


In five weeks a suitcase of ballet outfits will be heading to Cuba with me, to this young woman's students at a prestigious dance school within Havana. Last year she allowed me the privilege of documenting her incredible talent, and left me in awe on that beach. When she moved to a position, she did so with great care and deliberation… demonstrating to me the immense vision she had for our session.

She was as gentle as she was skilled, treating the girls in our company with sincerity and kindness. The girls were after all her students, even though they were involved in my project well before her appearance. She knew that they would be more than excited to see her, and that they would be all over her since this was their first time around her outside of the school. Yet she accepted this role gracefully and spoke with them the entire time, never looked away nor looked uncomfortable for a split second.

Last summer I was unprepared for someone like her, someone at her level. I do however hope that my skills at anticipation have improved since that time, and that this summer she will once again allow me the chance to document her spirit more precisely.

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Note: This image was made with a Hasselblad 555 ELD/180 mm combination onto Fuji Neopan Acros 100 ISO film with natural light only.

Tuesday, March 11, 2014

Three Ballerinas + Beach, Santa Maria Del Mar, Cuba, July 25, 2013

This is their first time together, on the beach and in front of the camera. It was really a spontaneous decision and they performed for a small crowd as well as the lens. 

The beach is really an incredible place for the girls of Cuba. It was pointed out to me that they rarely get a chance to visit it although they are surrounded by water. Working with them so close to the water brought out their more playful side, and it was marvelous to document.

www.halimina.org

Note: This image was made with a Hasselblad 555ELD/50mm combination and onto Fuji Neopan Acros 100 ISO film.

Thursday, October 18, 2012

Young Ballerina, Pan American Stadium, Statues of Athletes, La Habana, Cuba, July 28, 2012

I remember the moment when I first met this young ballerina. It was four years ago and in the midst of perhaps four dozen people in the square of a famous ballet school. I happened to pass by the school while looking for a space to photograph someone else.

In my midst all of a sudden were perhaps two dozen ballerinas. All of them of course were dressed in ballet outfits with various designs, dark and simple. Their hair was perfectly in place, and they were waiting for their classes to begin. Most of the girls were grouped in smaller circles chatting with their friends, while the parents did the same with each other.

Long story short, I found the courage to talk to a few of the parents and gain their trust. In a very public space they then allowed me to arrange their daughters against a white wall and photograph them for a few minutes each. A dozen girls agreed to be photographed, including the young ballerina in the above image. I think that many more would have agreed, but they soon disappeared inside the school to attend classes.

Over the next four years the original ballerinas were discovered once again and multiple sessions undertaken to document their stories. The young girl in the above image is one such person, and this past July was my fourth summer with her and her family since that very first one. Every year has brought me closer to her, and she has opened up more and more with each session.

In July we collaborated over six times, including the very last afternoon of my visit to the island. On this day we were handing out the photographs to all of the families, including hers. We still had a few families to visit when she asked if we were going to work with her later in the afternoon. Alejandro and I looked at each other and told her that we would if we were finished delivering the photographs and if the sun was shining.

I still had perhaps twenty rolls of film and was hungry to expose them in Cuba, rather than bringing unexposed film back to the States. So when we finished with delivering the photographs and looked up to see sunny skies, we called her immediately and made our way to the Pan American Stadium for our final session. She was incredible, moving from one location to another, allowing me to photograph her hair in its natural state.

Working with this young spirit is incredibly uplifting, she is consistently happy and immensely creative. While some models have a hard time coming up with ideas, this young pre-teenager's concepts are only as limited as my ability to document them. She allows the hair to cover her face, to blow with the wind without submitting to the reflex of fixing it.

In one instance I was changing rolls of film when I watched my camera/tripod tumble over and hit the concrete with a terrible sound. The lens struck the surface straight on, denting the filter. Any other time I would have lost my mind, since only two lenses are with me during my trips. This afternoon it only affected me for a second, the filter was changed and we continued with the photography. The camera body had a vibration while transporting the film to its next frame, but my only thought was with the images yet to be made.

Nothing else mattered except this young girl in front of me, performing like no other for the sake of our collaboration. We worked until the sun set, and managed to finish the last roll of film. It would be impossible to describe a more perfect ending to this past summer in Cuba. 

For more images, and history behind them, please visit my website:

Halim Ina Photography

Wednesday, August 10, 2011

A Ballerina named Irinita, Lizt Alfonso School of Ballet, Habana, Cuba, 2008

We meet in front of the famed Lizt Alfonso School of Ballet. While looking for a spot to photograph someone else, I stumble upon perhaps forty ballerinas waiting with their parents for classes to begin. The girls are standing in groups and chatting with their friends, the same with the parents. The space is a large square, surrounded by beautiful, two-story buildings with light walls. The place is one large soft box, and I decide to head back to inform the family of the location to be used for our photography.

Then the thought of photographing the ballerinas comes to me. I am by myself, without my interpreter. While I have learned quite a bit of Spanish since my first trip to Cuba, speaking with dozens of parents regarding the photography of their daughters intimidates me. I walk around a bit and hope for a friendly face. I find it in a young woman, and she speaks both Spanish and English.

I begin explaining my work to her and a few parents around us, a bit of Spanish mixed in with the English. She tells me that my Spanish is fine and to speak to the parents in Spanish. After a few minutes, a few more parents come around to hear about the work. I show the albums of my work to them, and ask them to allow their daughters to be photographed.

From the view of the parents, it must be quite a leap to allow a stranger to photograph their daughters in a public space. Regardless one girl steps forward, her name is Irina. Only after her courageous offer do others begin to line up. We decide to begin the photography since classes will begin in less than twenty minutes.

We pick the front of the school as the background, with the opposite building beautifully lit by the sun. I put the bags down, grab the tripod and begin setting up. Everyone gathers around, curious to see the work. They see a scene different than the usual perhaps, a medium format camera set up on an immense tripod, with a cable release and film to boot.

Irina steps forward, in front of her classmates and strangers alike. She is a most confident, young girl. She smiles at my fumbling, at my nervousness initially due to the fact that twelve girls with their parents are waiting all of a sudden. There is a calm about her that makes me feel quite comfortable however and a few exposures are made of her. She then walks away and stands to the side watching the rest being photographed.

Everyone writes down their names for me, and provides their addresses as well.

The doors of the school open, and the girls all walk inside to begin their lessons. Most of the parents leave, but a few wait outside for the classes to end. At this time my friend arrives and we make her portrait in front of the school a little bit away from the previous spot.

We walk away with the memory of this experience deeply stamped in my mind. In the next blog entry, the story will continue.

halim.ina@gmail.com
Halim Ina Photography

Sunday, July 31, 2011

Amanda y Vanesa, Ballerinas, Alamar, Cuba, July, 2010

This is their portrait from last year, Vanesa and Amanda. They have been friends since birth, living next to each other in a complex of apartment buildings. They are six months apart in terms of their age and without siblings, Amanda being the older girl.

In this image, Vanesa is being photographed for the first time. When we arrive on this day to photograph Amanda, I am told of a friend close by, also a ballerina. A long story short, Vanesa is collected by Amanda's mother and we make portraits of both on this incredible day. The background happens to be the white wall of an apartment building housing only artists.

From her apartment nearby Amanda's grandmother watches us as we work for over one hour. As the session nears its end, Vanesa becomes dizzy and faints. She falls backward and onto the concrete walkway one meter below the surface on which she is standing. The sound is indescribable but it seems that her hair prevents any serious injury. Everyone rushes over to her, two walk quickly to the corner store for some water and some ice cream.

We sit awaiting the water and talk with Vanesa. She seems intact and answers all of our questions. She apologizes for the incident and in our opinion has nothing to apologize for of course. Rather than waking up for breakfast on this incredibly hot day, she is rushed out of bed in the morning for photography in the sun with us without warning.

With the arrival of water and ice cream, all seems to improve and we walk over to her home. We offer to take Vanesa to the hospital but both families seem comfortable with her recovery. We bid them farewell for the day and return to the city.

Over the next five days and in between photographic sessions in the city, we return to their homes with flowers and an interest in her well-being. They are deeply touched, as are we by their kindness. We form a bond during this trip, our relationship takes on a new meaning.

On the last day, we drop by once again to bid them farewell. Rather than doing just that, we are invited by the girls to photograph once again. This time around, we find a place on the beach with only grass under their feet. We photograph for two hours with nothing but the sun over our heads and finish the last roll of film in my bag for the year.

During my most recent trip this past month, the girls have grown up by it seems a decade. They have entered their thirteenth year and have become teenagers. They show a curious interest in the boys around us, on the beach and by the apartment buildings. They have a confidence about them that is new to me, and one that makes me proud to know them. They are still the best of friends and hug each other anytime they get the chance.

We are offered the white wall next door but choose the beach once again. We photograph twice on the beach and once at the old Pan-American Stadium nearby. When I ask the girls about being photographed in their regular attire, they smile at each other and nod in the affirmative. They had wanted to do so but were afraid to ask. Our first session on the beach this time around is quite festive and one reminiscent of a fashion shoot.

Amanda and Vanesa mean the world to me, for they understand my work, our collaboration and give of themselves without asking for anything in return. I tell them so and advise them that they are the reason for my return year after year, rather than the old buildings in the city or the history of the island. It is their kindness that lures me back.

halim.ina@gmail.com
Halim Ina Photography