Banjara Girl, Rajasthan, India, November 25, 2008, Roll 2, Exposure 6

As the title describes, the image above represents the sixth exposure from the second roll of film on Thanksgiving Day in Rajasthan, India. This young girl belongs to the Banjara Community and attends a school for working children sponsored by Humana People to People India.

During the day, she works collecting plastic, fabric, metal and so forth for a middle person to come by and purchase. Then for perhaps three hours, she attends classes in a humble building and acquires the most rudimentary reading and writing skills. Her parents have certainly been informed and have given their permission for her education, as long as she is still able to work during the day.

Today, Humana People to People India faces serious funding challenges along with the usual social and political turbulence. Through these images my hope is that we can help the foundation help the people. Should you find it within yourself to recognize an opportunity to aid in this venture, you may feel quite free to contact me through this medium.

Perhaps a sister school can be found locally, perhaps a bake sale or even perhaps a purchase of this print. Regardless your initiative will be most appreciated by this and every single child under the Humana umbrella.

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In Search of a Banjara Girl, Rajasthan, India, November, 2008

This is the young girl referenced to in the last entry, the one from the Banjara Community. When we showed the picture albums to the street children, it is this young girl that they recognized. She was the reason for their smiles and laughter, they recognized one from their community.

This is her second portrait in as many years. The first time we met was during my first visit to India, during a special day arranged by Humana People to People India. On this day many activities were under way, including one contest between women walking very fast with containers balanced on their heads.

My first portrait of this young girl was made behind the main tent, with white fabric from the tent serving as the backdrop. This portrait was made the following year at her school, a basic open classroom on the roof of a building donated to the foundation. While she was absent when we first arrived, she showed up later because she heard that we were there to photograph her once again.

A previous entry described this incredible day; suffice it to put down at this moment that over ten dozen images were made of her, ranging from two clips in the hair to one clip to a roll or so without either clip.

The year following this portrait my documentation of her continued, this time in a village a bit distant from the school. By this time, she and her community had moved out of the town to a more remote location. The children had stopped attending the foundation's school and she was working as a house maid as well as tending to the family's livestock.

Two years after the portrait above our collaboration ended. Although we found her once again after asking around, by this time she had become so shy, so conscious of herself, that she refrained from even stepping out of the tent to exchange greetings. The younger girls were making fun of her, even teasing her about the attention she was receiving from this stranger.

So we of course respected her wishes and photographed the younger girls. One day they too will refrain from being photographed. Until that time however we will return.

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Child, Student, Banjara Community, Rajasthan, India, November 25, 2008, Roll 1, Exposure 12

So many of their children look like any children from around the world.

Here is a child that belongs to the Banjara Community, can be from anywhere and from any family. Earlier this day, we stop by the side of the road for some oranges and apples. The people from the foundation tell us to stay inside the car because outside of the car we will garnish attention.

We decide to ask for forgiveness and walk with them to get the fruits. As we do so we of course witness their warning up and close. A few children gather around us and start their usual hustle, all in good jest and with genuine intention, for they are only trying to support their families.

One of them looks at me differently, recognizes me from last year. At that point the book of images from last year is shown to them and they begin to laugh, realizing that some of their friends are in that book. A few strangers take note and wonder what this outsider has in common with these young street children. We ask them if they are going to be in school later in the afternoon and they all give us the affirmative in the sweet Indian style with their heads.

We bid them farewell and go looking for a specific child. A few of the children a little further up the road recognize her in my book and point us in the correct direction. We locate the young girl's village and arrange to return the next day for some photography. Afterwards we return to that street corner and locate the children from earlier in the day.

Their encampment is kind to us, allowing our photography amidst the chaos. Voices are everywhere and people are running behind the subject and in front. The people from the foundation are certainly more nervous than me since they are the ones speaking directly to the people. Forgiveness can be granted to me since I am a stranger and lack further understanding.

Nevertheless all goes well and a chair is even located for the children to stand upon for their portraits, giving their faces access to the sun in the middle of the crowd. One such face is the child above, from the Banjara Community but resembling the face of children everywhere.

We will return and photograph this community, for they are on my mind day and night.

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Banjara Woman, Rajasthan, India, October, 2009

The image above is a still from moving footage. While we are on this day unable to make still images of this group, they allow us to film them during their tasks. The rest are standing to my left and she watches them as they watch her, all the time making three pieces of bread at the same time.

My friend tells me that she is able to place one on top of the fire, one inside the fire and one in her hand in preparation for the fire. Watching her as the camera records her movements proves this to be true.
From this home we move on to photograph a few children nearby, some of whom follow us from this home. It seems that they too want their portraits made but, without the men from their homes, are unable to do so.

Earlier in their history, the Banjara Community were known as the salt traders, moving this and other commodities from one part of India to another, going as far as China and Europe, even to the United States. Many consider them the ancestors of the Roma Community throughout Europe and of nomadic groups around the world.

The literal meaning of their name is: 'One who moves or wanders in the jungle.'
Soon, perhaps in the next two years, they will be a focus of my documentation more so.

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The Humanitarian and the Model, Cuba and the States, February 14, 2011

Today, a wonderful woman walked into my office and shared a most wonderful gift with this Cuban girl. Without hesitation, she handed the gift along with the card to us. This she had in mind even before walking into the building. This wonderful woman has undergone extreme difficulty over the past two years under my care. She has remained courageous throughout and has shown me the face of appreciation.

Her words from the card are as follows:

I greatly appreciate all you have done for me. I also appreciate how you are using your God given talent to help the children of India. Please accept this gift as a token of my gratitude. I would be honored if you would use it to help 'your kids.'

Thank you for caring,

Sue

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Helene, Model, Friend, Outside of Los Angeles, California, Fall, 2010

While a few dozen models are contacted prior to my visit, perhaps a few including Helene follow through with our plan. Even though the weather is almost uncooperative throughout my visit, she is willing to allow for spontaneity and allow me to make her portrait.

On the day we are supposed to meet, it is both cloudy and cool in Los Angeles. We meet at Vasquez Rocks Natural Area Park, a location halfway between Los Angeles and Palmdale. The clouds are unforgiving and prevent us from making her portrait in the style desired.

Rather than giving up, she pushes forward and agrees to follow me to Palmdale where there is a better chance of seeing the sun. As we drive the twenty minutes to Palmdale the clouds disappear and the sun comes shining through. With some good fortune this will last for an hour or so and give us the chance to collaborate.

We take the first exit and head towards an area on top of a hill. We had planned on making images of Helene on a flat boulder in different meditation positions. What we have now is gravel and she courageously goes through her meditation regardless of dirt and her black attire.

As we end the session, she also allows me to make portraits of her in my envisioned style. The wind is blowing and the cold takes a hold of Helene. She warms up between frames and gives me a few rolls before we both call it a day.

She leaves me in wonderful spirits, knowing that her portrait will join the hundreds of women in my portfolio, that they will see a face from the West that also shares their features, those from the East.

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Kate, Artist, Sister, Friend, North America, 2011

Over the past two years we go back and forth, exchange messages now and then, starting conversations but never end them.

Then a few months ago, she sends an email to me as a start of another conversation, one that we are still having to this day. There is distance between us both in terms of land and in terms of generations. Regardless we speak in a common language, she understands this work fully.

She sees the girls in my portfolio as queens, as princesses. She understands the use of neutral backgrounds and just this past week decided to pursue the same in a tribute to the women in my portfolio.

Out of respect, she uses a male friend rather than a woman. She spends two hours of her time in the cold to make exquisite portraits, in the style of my work. She then waits until my arrival home to send me an excited message, to visit her blog and experience this surprise.

This young woman's name is Kate and she is a princess alongside the girls in my portfolio, we will continue the conversation this evening. Should you like to learn more about her, you may visit her blog below.

Kate Med Photography

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Marie, Daughter, Friend, Model, Los Angeles, California, October, 2010

During my time in Los Angeles, we exchange messages almost every single day.

She never gives up, never forgets about our collaboration.

One day we arrange to meet and time seems to get the best of us, we never do meet on that day.

Instead of walking away like so many, she responds to my messages. We talk about a few options and leave it to happenstance.

She is one of a handful that offer so many days to me. The temptation is there to take a couple of them even though it is certainly a selfish act, knowing that she is quite a busy person.

We agree on one day and, as it turns out, the day comes without complications. We meet at a corner coffee store and drive out to the agreed upon spot. Just like the rest of the week, clouds seem to be hanging over Los Angeles in a most unconventional manner.

We take a chance and make a few rolls at this spot, a rock formation called Vasquez Rocks. However it seems that the clouds threaten to come back and she kindly agrees to go further in search of clearer skies.

We drive perhaps twenty minutes to the other side of the mountains and find a peaceful spot, in a parking lot next to a white wall. We make a few rolls in between clouds just as the sun breaks through. While waiting for the sun we have wonderful, short conversations. She is just as comfortable in person as in front of the camera.

Instead of being just another face, she is a friend to me. She gives her time to me as well as her considerable modeling experience. She helps me feel at ease for keeping her from her life for this afternoon. We make one more roll and decide to drive back home. This has been an incredibly memorable afternoon, one filled with images to last a lifetime.

You may learn more about this incredible woman and see her portfolio as well below:

Marie D S

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Vamptress LeeAnna, Another Snapshot, Outside Los Angeles, October, 2010

She has been seen before on this blog, in color and now in black and white.

Just today she sent a most gentle greeting my way, all with the grace of a most genuine person.

She speaks of love in her message because she lives her life in such a way. From my limited experience with her and her wonderful boyfriend, it is clear to me that this is so.

Should you like to see more of LeeAnna and learn more about her other enterprises, you may follow the link below.

Vamptress

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Young Model and Widow, Old Delhi, India, Zakat Foundation of India, November, 2008

A young woman on this beautiful Sunday contacts me regarding the portrait above. According to her first message, the older woman above has been on her mind ever since she visited my website some time ago.

The young woman sending the message informs me that she has saved enough money to purchase the print. While many think that the prints sell easily, the simple fact is otherwise. There are few people from my experience that feel an affinity for the people in my portraits, enough so to make a purchase.

Perhaps it is difficult for most to look at such a portrait in their homes, safe havens from the troubles of the world. This young woman proves to be different with her first message and even more so with her second.

In response to my curiosity regarding her admiration of the older woman above, she writes:

'I have always felt a strong admiration towards people who have lived into old age. I feel that they hold wisdom to understanding life as to what it is, instead falling so deep into ourselves by living as though we will forever. Maybe it is from respect of my own grandparents, who have loved and raised me fully with their hearts. To me she is what I have loved and lived as a child in Ukraine..and to what my own mother was fortunate enough to escape. I am no different from her, as my fate was sealed through the hard work of my mother. Her face stays in my thoughts as does the life I left behind, for the passing of time is the only thing that separates us.'

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