Showing posts with label Alamar. Show all posts
Showing posts with label Alamar. Show all posts

Friday, December 20, 2013

Dancer + Statues, Pan American Stadium, Havana, Cuba, August 17, 2013


We picked another pair of statues for this year's session at the Pan American Stadium just outside of the capital. My last morning on the island was spent with her, as was the case last year. On both occasions the sun came up without obstruction and we had all morning to ourselves. 

She is without equal in my work, and gives completely of herself every single time. The sound of the shutter is her cue to move to another position, always maintaining her concentration while atthe same time pursuing a line of creativity rarely seen in others. She is barely a teenager, and yet performs for over an hour without rest and without the need for the company of others.

This past year on the island was a difficult one for a few reasons, and she wondered as to my thoughts regarding this collaboration. My answer was quite simple: With whom have I worked the most this year, and last year? For whom have the most negatives been exposed over the past two years?

She knew the answers, smiled and listened in silence, while a sense of calm came over her. She is reason enough for my visits to the island, in this she has confidence.

halim.ina@gmail.com
Halim Ina Photography

Wednesday, October 2, 2013

Anais, Dancer + Sister, Pan American Stadium, Alamar, Cuba, July 28, 2012





You give her a chance and she expresses herself! 

Once again we're at the Pan American Stadium just outside the capital, a place that has become her own. She has the ability to work alone with me and at such a tender age. She needs very little direction and works with adults four times her age without ever making us feel any different.

We started working on the other side of the stadium against the plain white wall and were taken to this side by her creativity. She saw these statues and immediately was drawn to them. She balanced herself on top of them, struck poses next to them and became part of their world.

She takes me out of my shell and puts me in a more creative environment. Five years we have collaborated and with each passing year she grows by a lifetime. I admire and love this young girl, she is without equal. 

This was my last day in Cuba in 2012 and my last rolls of film were exposed on her behalf, fitting and appropriate.

halim.ina@gmail.com
Halim Ina Photography

Wednesday, June 6, 2012

La Bailarina y El Fotógrafo, Leidy y Eldo, Alamar, Cuba, July, 2011



Eldo works feverishly during my time on the island. From speaking with people to gaining access to certain populations, he does so in a most genuine manner. He cares about my work and considers it his own. When we sit down with the families, he never shows signs of being tired, of wanting to leave. He adores them as I do.

He is also a photographer and makes images during our sessions. He translates and instructs while releasing his own shutter. Eldo works with film, but uses a digital camera during our collaboration. The images above are his creations. What makes him even more remarkable is that he is doing this while doing many other tasks on my behalf.

For this session we meet Leidy outside of her home and then take her to the beach. She happens to live in the same neighborhood as two of our other dancers, and knows them well. It's a small world after all. She is a consummate professional, and works primarily as a dancer in the capital. She never tires nor does she show frustration when we ask for something new.

Hopefully I will see her and her friends in five weeks and look forward to the collaboration.

For more of my work, and to contribute your thoughts regarding this project, please visit the newly designed website below, courtesy of Patrick Luu.

Halim Ina Photography

Monday, September 26, 2011

Athlete, Havana, Cuba, July, 2011



He might look prepared for the portrait above made by Eldo. He is however anything but as he watches us photographing two young dancers. He walks up without making us aware of his presence, and sits on a ledge under the shade while the young women perform in front of us.

We are using an old stadium once built for the Pan-American Games of 1991. In the history of these competitions the people of Cuba have placed second in terms of the number of medals achieved, second only to the United States. This speaks volumes of a people with a fraction of the resources available for such, both in terms of finances and population. 

A beautiful white wall stands behind the women and the sun shines beautifully. 

He seems to be more interested in watching us rather than exercising. So during one moment of relaxation I walk over to him and ask for his photograph. His smile only pushes the two dancers further. They walk over and begin to persuade him otherwise.. It takes them less than a minute to help him make his way to that beautiful white wall. 

He is a natural, completely at ease in front of the camera while two photographers make his portrait. I am working on a tripod and Eldo is working with a hand-held camera. He responds without pause to our requests, performs solo and then goes on to perform with the dancers. When we ask him to remove his shirt, he removes it immediately without question.

The dancers tease him, they flirt with him and he holds his own without once regretting his decision to be photographed.

A week or so later he receives his portraits from Eldo.

halim.ina@gmail.com
Halim Ina Photography