Showing posts with label Medium Format Film. Show all posts
Showing posts with label Medium Format Film. Show all posts

Monday, March 28, 2022

Monument Valley, Utah, 2016


Monument Valley inspired me to continue with landscape as a subject, in addition to my portraiture. The place is otherworldly, and I am so grateful for having had a little bit of my life in that space.

The purpose of selling these prints on Etsy is to support the social work being accomplished through my photography. Presently we have six sewing centers in two states of India, serving both the Hindu and the Muslim communities. In these sewing centers, young women learn a trade while also making clothing for their families. The centers are located in the rural areas, where young women have only one option normally, marriage and a family. At this moment, due to COVID-19, the work is on hold. However, we plan to restart the centers in 2022 and the funds from the sale of these portraits will be applied to the work in India.

This is a silver gelatin print made by me, the photographer, in my own darkroom. It is printed on Ilford MGIVWT glossy fiber 11x14 paper, and toned in selenium for permanence. It is processed in a Zone VI washer to archival standards, and allowed to dry overnight on a screen. The camera/lens combination was a Hasselblad 501CM/100mm, and the frame was exposed onto Ilford Delta 100 using natural light. 

Each print will be signed and dated by me, the photographer, and numbered to a maximum of 50 prints (11x14) per negative. 

Wednesday, December 23, 2020

Student + Chalkboard, Rajasthan, India, 2018


She attends a wonderful school in a tiny village within Rajasthan, and has my sincerest appreciation for allowing her portraits to be made. Her and her five sisters have been photographed by me since 2006, when her older sisters were her age. We have been supporting her school as well as a sewing center, one which her older sister will attend once COVID-19 eases its grip on all of us.

Sunday, December 13, 2020

Day Laborers + Dam Project, Rajasthan, India, 2020


Thanks to my brother Nami Gujjar we were welcomed by this incredible group of women. They were removing sand and dirt in order to clear the area for construction of a dam. The monolithic structure in the background is how the employers measured the amount of earth removed by the woman thus far, and each woman was paid roughly $3 per day. We once worked with a school in this village, and we believe we could do much more!

Wednesday, December 9, 2020

Best Friends + Rooftop, Uttar Pradesh, India, 2019



The words below were written in early January, and remind me of a better time. My hope is that we will once again return to this good work, and to a better world.

"In a little more than two weeks I will be in the presence of these students, with more color film in my hands. While most images will be made in monochrome, at least one roll per day will be in color. Thanks to Imdadullah, such portraits are made possible. This good man is doing his best to maintain the cooperation of the community, so that the sewing centers can continue and so that we can help the madrasas with their programs. In this very school the headmaster has asked for support, so that he can present a fuller curriculum to his students. He wants to continue the religious lessons of course, but would also like to include Hindi, English, Math and so on. I cannot wait to show up and do my best to make this happen!"


Friday, October 30, 2020

Laura + Dry Lake Bed, California, 2019


To have a darkroom in my apartment makes the quarantine something to look forward to sincerely. Four negatives were printed a few months ago from my time with Laura Harwood last year, a most memorable experience in this one of a kind spot!

Tuesday, September 1, 2020

Grain + Syrian Refugee, Near Zahle, Lebanon, 2019



When I began using film almost 25 years ago, grain was an enemy. Now I embrace the clusters of silver particles and enlarge an image extensively to see them!

Another day in the darkroom with her negative being printed first. The actual image is a bit further from her but it felt right to amplify her features, to showcase her strength up close. She is a Syrian girl forced to live in Lebanon, with her family doing what it can to survive. It was and is a privilege to have made her portrait, and I hope that these images help carry her message further.

Saturday, November 13, 2010

Vamptress LeeAnna, Los Angeles, California, October, 2010


One month before my visit to California, a few dozen messages are sent to models in and around Los Angeles and San Francisco. Out of those few dozen messages, two dozen responses are received. Out of those two dozen responses, a handful respond in the manner of the young woman above.

Her name is LeeAnna. As my messages are sent out her messages arrive. She is precise and dedicated to the thought of our collaboration. She reaches out to other models in my list, shares with them her vision. She never gives up, even after two then three then four models fade out of communication.

On the very day that we are to photograph, a model informs me of her cancellation as we are driving to the location. It seems that her boyfriend feels that this location is secluded even though it is a popular park and tourists abound in addition to the park authorities. The compassion that LeeAnna shows me and my work erases such negative experiences for me and restores my faith in humanity.

She has photographed with accomplished photographers, has worked on extensive projects. Yet she makes the time to meet me almost two hours away from her home, without a hair stylist or a make-up artist on location. She agrees to be photographed in the sun and with the wind in her hair. We select one location only to find clouds over that location. We then make a spontaneous decision to meet at another location, near a place called Mormon's Rocks. All this is done while driving separately from different locations.

We meet at the local McDonald's and look around only to see clouds again. My experience, although limited in the area, tells me that the sun will be shining twenty minutes further up the highway. With an unlimited sense of faith in the project, LeeAnna and her wonderful companion decide to follow me in search of light. We drive twenty or so minutes and find that sun, albeit in between clouds.

We take an exit and drive to find a neutral background. We park on the side of a building and organize ourselves, me with my equipment and LeeAnna with her attire. We make close portraits of her, waiting for the sun in between clouds to shine. We are fortunate to be able to expose a few rolls and then decide to make full body images. A small electrical box serves the function of a stand and brave LeeAnna stands on top of it for the last series of images.

She is proud, she is elegant in her stances. In the middle of suburban sprawl, she shows us a most beautiful spirit, shows the other girls and women in my portfolio their sister from California. She looks past all of the buildings, all of the plazas. She looks to her compatriots in Asia and in Africa, shares with them her smile and her strength.

She is an inspiration to me, to them.

We conclude our session and cannot find enough words to thank each other. This most beautiful of women and her companion on this day have shown me the meaning of friendship, of kindness and of love. This will be shared with the others in my portfolio, they will feel it through her portraits.

Friday, June 26, 2009

Islam, Dakar, Senegal, 2006


Everywhere we walk, two figures are represented on the walls of Dakar, both figures of Islam from the past.

The paintings and drawings have a remarkable likeness to each other. As we walk the streets of this city looking for faces of the present, this painting stays with us.

After stopping to photograph a few children with the permission of their father, we begin walking up the street and find this one painting on the door of a photographic studio. It happens to be the one we've been looking for over the past two weeks, just perfect.

We talk with the photographer for a bit and he invites us into his studio. He shows us around, shows us his studio and rightfully takes much pride in sharing his craft with us.

We exchange a portrait for some film and then ask his permission to photograph this painting. He quickly gives us his permission and we arrange to expose this portrait onto film. After which we pack our equipment, say our goodbyes and walk down the street in search of more faces.


Monday, June 22, 2009

Woman, Gambia, 2006


She walks out from behind a simple fence, with two of her friends. They watch us getting ready to leave after making some portraits of the kids in the street. They wonder what we are doing and ask our translator some questions. Instead of the usual, they ask to have their pictures made. The sun is really high at this time and it is really out of my comfort zone. Nonetheless, we take our equipment out and make their portraits. They stand next to the car and face the sun. A few older men walk by and ask questions also, all of whom allow us to continue. We make less than six images each, pack our gear and head out to the next stop, a fishing village near the beach. We are on the coast of Gambia and the smell of fish is everywhere.