Showing posts with label Female. Show all posts
Showing posts with label Female. Show all posts

Thursday, January 10, 2013

My Two Hours With Helene, Just Outside of Los Angeles, California, Fall of 2010




These images, and perhaps sixty more, were made in less than five minutes at the end of our session. From one expression to another Helene moved without being instructed, took me on an incredible voyage of human expression. Here was a stranger in front of her yet she yielded the fiercest of emotions, the most gentle of feelings.

The wind was blowing endlessly and bringing with it a cold breeze. Rather than making me feel hurried and pushing the session to its end, Helene allowed me to unload and load film without stress. When asked about the cold she smiled while she shivered, pulled up her shirt while waiting then pulled it down immediately as the camera was ready.

Our session began with images of her yoga experience, and then shifted to close images in my usual style. The background was the glorious sky and her hair blew wonderfully with the wind. She never did attempt to control her hair, but rather allowed it to dance with the environment. These are some of my most memorable images from the first visit to Los Angeles, and I look forward to printing this series in the next few weeks in the darkroom. Only then will I realize their incredible potential to move me once again.

halim.ina@gmail.com
Halim Ina Photography

Wednesday, January 9, 2013

Student + Teacher, Courtyard, Humana People to People India, Rajasthan, India, November 15, 2008


These images are a departure from my usual work, made in subdued lighting and including the environment. My work began this way, moved into a more minimalist viewpoint and has now returned to this form. Just as of this week a new lens was acquired to once again allow me to make images like the ones above. Portraits including the environment will now stand side by side with images lacking any signs of such.

In the above portraits a teacher sits on the same frame as her student, both associated with Humana People to People India. We arrived mid-day and needed to find a place of shade. As we talked in the narrow alley I noticed this courtyard just over a low wall. We asked the residents of the home and they welcomed us without issue. The entrance to the courtyard is to the upper right corner, and the wall is just beyond the baskets and grass/dung packets.

The residents of the house provided the small chair, and one by one the students sat down for their portraits. We would make perhaps four to six exposures of each child, then ask the next to sit down. As we were finishing our work we asked their teacher to join in the session and she did without reluctance. She even sat down in the same chair, in full view of the children and adults as well. The level of dedication always touches me, to see women and men working so diligently on behalf of the little ones.

The portrait of the young girl was made on the sixteenth roll while the latter image was made on the eighteenth roll of this session. A Hasselblad 555 ELD was used with a 120mm lens mounted on a tripod for consistency and stability. The film used was Fuji's Neopan Acros 100 ASA, and a small reflector was placed behind me and to the right with the help of a local volunteer.

Soon we hope that this school will reopen and have plans to help reopen five schools in 2013 with the gracious help of  Humana People to People India. In this way this wonderful teacher can return to her position and this student can once again learn to read and to write in between performing chores for her family.

Any reader interested in taking part of this work may contact me through the following links, input is most welcome.


halim.ina@gmail.com
Halim Ina Photography

Saturday, November 10, 2012

Older Woman, Dancing, Humana People to People India, Rajasthan, India, November 18, 2009

As she sat for her portrait she danced, moving her  hands about and giggling like a little girl. While she lives in one of the traditional villages documented by me over the years, her jewelry resembles that of the Banjara Community. She however dresses like the other villagers, and sat with us as we photographed the girls from the local school sponsored by Humana People to People India.

We arrived at this village in the middle of the day and took advantage of the shade. A couple of young men took turns holding the reflector, and we arranged a small stool for the girls to sit upon for their session. The cookware next to her was already there, and for the sake of variety we moved them a little bit in between sitters.

I enjoy it when an adult, like in the previous post, injects a bit of humor into the scene. This allows the students to be freer with their expressions and makes for a more interesting session. This is exactly what she did, moved her hands through the air and allowed me to photograph her all the while. Behind me and to the left sat a group of men watching, which made her actions that much more remarkable.

Contrary to my experiences in the past, the men also enjoyed the humor and supported all of our work. Their presence served to give our work more plausibility, and we did our best to present all of them with photographs a day or so later.

In the beginning of my photography, years ago, I would return to the villages the following year and hand the pictures out to the people. While they very much appreciated it, the number of photographs was limited to the amount my luggage would allow, plus the protective sleeves. Taking a digital camera along allowed me to make images and print them immediately afterwards at the local photographic lab. In this way the local economy benefited from my humble offerings and the people received their pictures much sooner, and more of them.

This engendered a warmer response, and allowed further sessions to have a flow unattainable before.

I look forward to visiting this village once again, perhaps next year. My hope is that the girls of this village are attending government schools, and that they will allow me the privilege to photograph them once again.

halim.ina@gmail.com
Halim Ina Photography

Friday, November 2, 2012

Magdalena, Dry Lake Bed, Lucerne Valley, Los Angeles, California, September 15, 2012



Two years ago I met Magdalena through a website for models and photographers, and since then we have collaborated four times. She has the uncanny ability to transform from session to session and most amazingly during a session.

My preference for darker clothing happens to be her preference, and she tries to present variety always. When asked to be photographed she never denies the request, and in her own way accepts most willingly. Two years ago we worked three times together over a span of a week. This year I photographed her in September during my Los Angeles trip and hope to document her moving spirit in less than two weeks during my upcoming trip to Santa Barbara.

While my schedule will be busy, I will make time to photograph Magdalena. Her place in my work is understood, and she has already accepted my invitation.

Our collaboration in September was most difficult for her, for she was feeling a bit under the weather leading up to the day of the photography. We arrived at her home in a suburb of Los Angeles, and parked on the street. While waiting we walked over to one of her neighbors to look over some clothing, since she was having a yard sale.

Bailey looked at some dresses and then walked over to check a pile of shoes in a box. I checked out a few shirts but found nothing. All the while the resident of the house walked in and out to check on her sauce, the sweet scent of which teased our hungry senses while we waited.

Magdalena walked towards us quickly and apologized for the wait, a sure sign of her respect for both us and our work. She has always been this way, quite sincere and genuine. We gathered ourselves and headed out to the dry lake bed almost two and a half hours away in Los Angeles traffic.

We could tell she was feeling a little ill and asked her about it. She told us that she would be fine and then asked our permission to fall asleep in the car. We drove to the area while she slept, waking up when we arrived at a local fast food restaurant in order to get some much needed food into her stomach. She was more than appreciative, ate the salad and felt much better as we drove the remaining half an hour to the site.

In contrast to El Mirage, the dry lake bed at Lucerne Valley was quite accessible, and split down the middle by a nicely paved road. We drove up and down this road for a little bit in order to find the perfect spot, with few houses in the background. We did so, got out and set up the cameras. A few minutes later Magdalena was ready with her first outfit, and so the photography began.

We worked for the next ninety minutes, now and then fetching a piece of our equipment as it flew over the road to the other side. The wind was wonderful and we managed to expose a dozen rolls before calling it quits for the day. Considering how this young woman was feeling, the session was more than a success. In the middle of the desert, under the sun and with the heat, she gave us what few could have.

I am honored to know Magdalena and look forward to a collaboration in two weeks.

halim.ina@gmail.com
Halim Ina Photography