Showing posts with label Economy. Show all posts
Showing posts with label Economy. Show all posts

Thursday, February 4, 2016

Release, Syrian Migrant, Bekaa Valley, Lebanon, 2005


While she certainly has never asked to be, for me hers is the face of the current refugee crisis. Two years before the war ravaged this land, her family lived as migrants in Lebanon, hundreds of miles away from her beloved city of Halab. In this cruel setting she is able to portray her joy to us, her sense of hope.

During my visits to these camps, the children's faces were charred from the sun and the wind, while their hair had the consistency of cotton candy. They played in the dirt paths between the tents, sometimes running dangerously close to the streets nearby. Every once in a while a child would be struck by a speeding motorist, the communities shared with me, while local authorities treated such incidents as inconsequential. These brave faces lived on the outskirts of the surrounding society, performing their duties unseen in order to help support their families back home.

For those of us with children, can we imagine for one second our child's face with such scars? Can we imagine the hair on our children's heads having such a consistency? Can we imagine the clothes on our children's backs so fragile, so stained? Can we for one moment endure the dryness of their skin, dirt near their lips?

Yet these children do more than endure, do much more than survive. While there is little doubt that the cruel world has dealt them a hard set of circumstances, they refuse to give up. The boys do what they can with the tools around them, taking for example a long wire and fixing a cylinder to its end as a toy. The girls take flowers from the gardens in front of their tents and adorn themselves, playing with stuffed pieces of cloth as others would do with dolls. While their physical world is limited, they have shown me that their imaginations cannot be restrained.



Note: Images made with a Hasselblad 555 ELD/180 mm lens combination onto Fuji Neopan Acros 100 ISO film.

Tuesday, September 29, 2015

Migrants + Garbage Dump, New Delhi, India, April of 2015



]Earlier this year on my first day in India I walked from the hotel to the Humana People to People India HQ a few kilometers away. On my way I noticed a camp within a garbage dump and knew that the most amazing faces were inside. So I continued to the HQ for my first meeting with the team.

A few weeks later I returned to the city to reorganize and had a day or two to roam around. The good people at the foundation volunteered their time to be with me, and over two sessions we visited the camp. The reception we received was both warm and open. They immediately allowed us the opportunity to make portraits, and we set up to do so.

In the middle of the garbage, with the scent of waste all around, we worked with the children for over an hour. Some adults stepped forth to have their portrait made. During one session a man approached us to ask about our intentions. He happened to be working for the camp, trying to organize the families and provide them with the chance to achieve certain rights denied their community as migrants. We had a great conversation, as he approved of our work.

Some people may wonder, where is the environment in these portraits? 

My preference is to make their portraits without including the garbage strewn all about, without showing the endless stream of flies all about their faces. Perhaps it's more appropriate to do so, but this has been the way for me since the first portraits were made in Lebanon… right or wrong.

The next image will show the scene as it was.


Note: These images were taken by the team of HPPI as the portraits were be made, with a Sony RX100M2.